Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.

The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:

  • Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
  • User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences? 
  • Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
  • Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
  • Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
  • Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
  • Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?

Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.

Topics

  • Transmedia
  • User and Audience Research 
  • Gamification
  • Common Media
  • Net based Public Broadcast
  • Hybrid Publishing
  • Computer Simulation
  • Artistic Research
  • New Teaching Formats
  1. Published

    Antworten

    Beyes, T., 2015, Das bewegte Buch. Ein Katalog der gelesenen Bücher: mit 104 Beispielen aus dem Deutschen Literaturmuseum Marbach. Gfrereis, H. & Pias, C. (eds.). Marbach am Neckar: Deutsche Schillergesellschaft e.V.

    Research output: Contributions to collected editions/worksChapterpeer-review

  2. Published

    Color

    Beyes, T., 09.10.2018, The Creativity Complex: A Companion to Contemporary Culture. Beyes, T. & Mentelmann, J. (eds.). Bielefeld: transcript Verlag, p. 70-75 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    The organizational a priori: Critique of the digital as critique of organization

    Beyes, T., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnholdt, C. L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 229-248 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Spacing organization: non-representational theory and performing organizational space

    Beyes, T. & Steyaert, C., 2012, In: Organization. 19, 1, p. 45-61 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  5. Published

    Uncanny matters: Kafka’s burrow, the unhomely and the study of organizational space

    Beyes, T., 2019, In: Ephemera: Theory & Politics in Organization. 19, 1, p. 179-192 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    The topographical imagination: space and organization theory

    Beyes, T. & Holt, R., 01.04.2020, In: Organization Theory. 1, 2, 26 p.

    Research output: Journal contributionsScientific review articlesResearch

  7. Published

    Performativity, performance studies and digital cultures

    Leeker, M., Schipper, I. & Beyes, T., 31.12.2016, Performing the Digital: Performativity and Performance Studies in Digital Cultures. v. Leeker, M., Schipper, I. & Beyes, T. (eds.). Bielefeld: transcript Verlag, p. 9-18 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    By Means of Which: Media, Technology, Organisation

    Beyes, T., Holt, R. & Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 498-514 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Overhead Projector

    Pias, C., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 286-300 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Executive Dashboard

    Beverungen, A., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 225-237 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Colour Chart

    Beyes, T., 12.12.2019, The Oxford Handbook of Media, Technology, and Organization Studies. Beyes, T., Pias, C. & Holt, R. (eds.). Oxford: Oxford University Press, p. 125-135 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    Die Maschine auf der Couch. Oder: Was ist schon 'künstlich' an Künstlicher Intelligenz?

    Apprich, C., 09.2019, In: Zeitschrift für Medienwissenschaft. 11, 2, p. 20-28 9 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  13. Published

    Organization: The Critical Journal of Organization, Theory and Society

    Beverungen, A. (ed.), Beyes, T. (ed.) & Conrad, L. (ed.), 09.2019, London: SAGE Publications Inc. 127 p. (Organization; vol. 26, no. 5)

    Research output: Books and anthologiesSpecial Journal issueResearch

  14. Published

    Editorial: #5 Spectres of Artificial Intelligence

    spheres Editorial Collective, Apprich, C., Beverungen, A. & Hille, L., 01.11.2019, In: spheres - Journal for Digital Cultures. 5, p. 1-4 4 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  15. Published

    Zeitlichkeit und Kognition im Hochfrequenzhandel

    Beverungen, A. & Lange, A. C., 2017, Medien der Finanz. Balke, F., Siegert, B. & Vogl, J. (eds.). Weimar: Wilhelm Fink Verlag, Vol. 17. p. 9-20 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Published

    Markets

    Beverungen, A., Mirowski, P., Nik-Khah, E. & Schröter, J., 2019, Minneapolis und Lüneburg: meson press. 116 p. (In Search of Media)

    Research output: Books and anthologiesMonographsResearchpeer-review

  17. Published

    Algorithmic Trading, Artificial Intelligence and the Politics of Cognition

    Beverungen, A., 01.10.2019, The Democratization of Artificial Intelligence: Net Politics in the Era of Learning Algorithms. Sudmann, A. (ed.). Bielefeld: transcript Verlag, p. 77-93 17 p. (KI-Kritik; vol. 1).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  18. Published

    Die Maker*innen Bewegung: Was die Mikroökonomie, die Feldtheorie und die Praxistheorie über sie zu sagen haben

    Conrad, L. & Maier, M., 18.01.2021, DIY, Subkulturen und Feminismen. Czerney, S., Eckert, L. & Martin, S. (eds.). Hamburg: Alma Marta Verlag, p. 196-232 37 p. (Aspekte).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  19. Published

    The organizational powers of (digital) media

    Beverungen, A., Beyes, T. & Conrad, L., 01.09.2019, In: Organization. 26, 5, p. 621-635 15 p., 867206.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  20. Published

    Bis auf Weiteres: Pinnwand und Serie – Einleitung

    Engell, L., Maeder, D., Schröter, J. & Wentz, D., 03.2017, Bis auf Weiteres. Pinnwand und Serie. Engell, L., Maeder, D., Schröter, J. & Wentz, D. (eds.). Marburg: Schüren Verlag, p. 5-10 6 p.

    Research output: Contributions to collected editions/worksOtherResearch

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