Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2022
- Published
Meme Therapy: Auf der Suche nach Heilung in Geisterzeichnungen, Therapie-Notizbüchern und Trauma-Tagebüchern
Kipke, A., 2022, In: Kunstforum international. 279, p. 104-111 8 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Models of transdisciplinary knowledge production at universities: a Romanian case study
Vienni Baptista, B. & Vilsmaier, U., 2022, In: Higher Education Research and Development. 41, 5, p. 1757-1772 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
On the Mythical Atmosphere of the Digital World
Milani, B., 2022, In: Technology and Language. 3, 4, p. 21-29 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Passion, Performance and Soberness: Denis Diderot
Söntgen, B., 2022, Why Art Criticism?: A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 24-25Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Practical Formalist: Roger Fry
Söntgen, B., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). Berlin: Hatje Cantz Verlag, p. 62-63Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Recht und Kultur
Ausberg, I., Welzel, C., Jamme, C., Reimer, F. & Leeb, S. (Contributor), 2022, Rechtsgespräche: Recht im Kontext von Innovation | Entrepreneurship Nachhaltigkeit | Kultur | Europa. Terhechte, J. (ed.). Baden-Baden: Nomos Verlagsgesellschaft, p. 39-62 24 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Transgenerational Audiovisual Narration in Revolutionary Women: Ella
Gerhardt, U., 2022, Lene Markusen: Mythbiographies. : I Premiati di Villa Romana 2021. Angelika Stepken, F. (ed.). Florenz: Villa Romana, p. 37-39 3 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Transkulturelle Objektgeschichten: Islamische Artefakte in europäischen Kirchenschätzen und über diese hinaus
Schulz, V.-S., 2022, Islam in Europa, 1000-1250 : exhibition catalogue Dommuseum Hildesheim. Höhl, C., Prinz , F. & Ralcheva, P. (eds.). Hildesheim, p. 47–54Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Über den Gebrauch weißer Prinzipien in Kants Philosophie
Martinez Mateo, M. & Stubenrauch, H., 2022, In: Zeitschrift für Ideengeschichte. 16, 1, p. 123-125 3 p.Research output: Journal contributions › Journal articles › Research
- Published
Un nietzschianesimo senza riserve. La volontà di potenza nel dispositivo del potere pastorale
Nigro, R., 2022, In: Materiali Foucaultiani. 11, 21-22, p. 199-224 26 p.Research output: Journal contributions › Journal articles › Research › peer-review