Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Des einen Freud, des anderen Leid
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.Research output: Journal contributions › Critical reviews › Research
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Die Ruhe selbst
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 282-286 5 p.Research output: Journal contributions › Critical reviews › Research
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"Nun Künstler, wo steht ihr, seid ihr auch bereit ..."
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 65-69 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Der PC im Atelier: Interviews mit Albert Oehlen, Monique Prieto, Torsten Slama, Chris Finley und Thomas Ruff von Susanne Leeb
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 36, p. 48-75 28 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Zur Forschung freigegeben
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 35, p. 261-265 5 p.Research output: Journal contributions › Critical reviews › Research
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Sturheit siegt
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 34, p. 167-171 5 p.Research output: Journal contributions › Critical reviews › Research
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Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)
Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Flüssige Blicke: Malerei als Kontaktmedium
Leeb, S. A., 2014, The Happy Fainting of Painting: Ein Reader zur zeitgenössischen Malerei. Hafner, H.-J. & Reski, G. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 114-121 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Liquid Gazes (On Contemporary Painting)
Leeb, S. A., 2014, Aesthetics of the flesh. Ensslin, F. & Klink, C. (eds.). Berlin: Sternberg Press, p. 179-202 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Fluchtverwandlungstheater nach Catherine Sullivan
Leeb, S. A., 2013, Disability Trouble: Ästhetik und Bildpolitik bei Helen Keller. Bergermann , U. (ed.). Berlin: b-books, p. 262-276 15 p. (PoLYpeN ).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review