Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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The Trans-human Paradigm and the Meaning of Life
Schües, C., 10.05.2017, Future Directions in Feminist Phenomenology. Fielding, H. A. & Olkowski, D. E. (eds.). Bloomington: Indiana University Press, p. 218-241 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Kunstwerk im Zeitalter des general intellect
Nigro, R., 06.2017, In: Paragrana. 26, 1, p. 75 - 85 11 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Introduction: For an Ethology of Exhaustion
Brunner, C., Kuipers, H. H. & Pape, T., 10.2017, In: Inflexions : a Journal for Research Creation. 10, p. I-IX 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Mathieu K. Abonnenc / Lotte Arndt / Catalina Lozano: (ed.) Crawling Doubles. Colonial Collecting And Affect. Amsterdam: Idea Books 2016.
Leeb, S., 2017, In: Kunstform . 18, 7Research output: Journal contributions › Critical reviews › Research
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Conflicting Evidence
Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Idiome: Die kleinen ks der Kunst
Leeb, S., 03.2017, In: Texte zur Kunst. 108, p. 33-56 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Schweigeverhältnisse überstimmen oder Mit den Füssen denken: Angela Melitopoulos im Gespräch mit Susanne Leeb
Leeb, S., 03.2017, In: Texte zur Kunst. 2017, 105, p. 63-71 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Lokalzeit oder die Gegenwart der Antike
Leeb, S., 03.2017, In: Texte zur Kunst. 27, 105, p. 99-117 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Modes of Exhaustion
Bordeleau, É. (Editor), Brunner, C. (Editor), Kuipers, H. (Editor), Nguyen, N. C. (Editor) & Pape, T. (Editor), 10.2017, Open Humanities Press. 235 p. (Inflexions - A Journal for Research-Creation; no. 10)Research output: Books and anthologies › Special Journal issue › Research
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Between Art and Promotion: Digital Self-Representation on Artists’ Instagram Profiles
Fölsche, L. & Jürgens, A., 2017, 6th Annual International Conference on Journalism & Mass Communications. Allen, L. (ed.). Singapur: Global Science and Technology Forum, p. 146-150 5 p. (Annual International Conference on Journalism & Mass Communications; vol. 6).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review