Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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»daß ich an all diese Flußgötter denke«. Zur politischen Dimension anachronistischen Imaginierens in Durs Grünbeins 'Grauzone morgens'
Jürgens, A., 30.06.2018, Formen des Sprechens, Modi des Schweigens.: Sprache und Diktatur. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 266-274 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska
Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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De cómo se elaboró el primer Catálogo Monumental de España. Análisis de la correspondencia de Manuel Gómez-Moreno Martínez de 1894 a 1902
Romero Ferrón, B., 2017, Universidad de Malaga.Research output: Books and anthologies › Monographs › Research › peer-review
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Operaismo and the Wicked Problem of Organization
Trott, B., 2017, In: Journal of Labor and Society. 20, 3, p. 307-324 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Idioms – Languages of Art, Thematic issue of Texte zur Kunst, Nr. 108
Leeb, S. (Editor) & Thomann, M. (Editor), 12.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 263 p. (Texte zur Kunst; vol. 27, no. 108)Research output: Books and anthologies › Special Journal issue › Research
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Wir sind ihr
Leeb, S. (Editor), Draxler, H. (Editor) & Graw, I. (Editor), 03.2017, Berlin: TEXTE ZUR KUNST Verlag GmbH & Co. KG. 248 p. (Texte zur Kunst; vol. 27, no. 105)Research output: Books and anthologies › Special Journal issue › Research
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Idioms: The Minor ‘A’s of Art
Leeb, S., 12.2017, In: Texte zur Kunst. 27, 108, p. 32-56 25 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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And always wins the Country Exodus from the Cities, Love for the Countryside, Agricultural Work in German TV Film, but also with Goethe
Kemp, W., 03.2017, In: Merkur. 71, 814, p. 31-42 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Weird and the Eerie
Woodard, B. G., 2017, In: Textual Practice. 31, 6, p. 1181-1183 3 p.Research output: Journal contributions › Critical reviews › Research