Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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The Future of Provenance: Digital Cataloguing as Reparative Practice
Rother, L., Koss, M. & Mariani, F., 13.11.2024, American Alliance of Museums, p. 1-14, 14 p.Research output: Working paper › Research communication reports › Transfer
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Verknüpfte Daten: Die Zukunft der Provenienzforschung
Rother, L., Koss, M. & Mariani, F., 05.12.2024, In: Museumskunde. 89, 1/2, p. 26-31 6 p.Research output: Journal contributions › Journal articles › Transfer
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People Information in Provenance Data: Biographical Entity Linking with Wikidata and ULAN
Mariani, F., Koss, M. & Rother, L., 13.12.2024, In: Zivot Umjetnosti. 114, 1, p. 148-161 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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THE POLITICS OF SMELL AND THE MORALITY OF SIGHT: Challenging “Slaughterhouses with Glass Walls” in Animal Advocacy
Stefanoni, C., 12.11.2024, Violence and Harm in the Animal Industrial Complex: Human-Animal Entanglements. Hunnicutt, G., Twine, R. & Mentor, K. (eds.). Taylor and Francis Inc., p. 71-83 13 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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“IF I BROKE DOWN THE WALL OF FLESH”: Blurring the Human/Animal Distinction in the Slaughterhouse through Ivano Ferrari’s Poetry
Stefanoni, C., 12.11.2024, Violence and Harm in the Animal Industrial Complex: Human-Animal Entanglements. Hunnicutt, G., Twine, R. & Mentor, K. (eds.). Taylor and Francis Inc., p. 236-248 13 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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History of the Collection
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin: Vexer Verlag, p. 118-120Research output: Contributions to collected editions/works › Chapter
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Where Paintings Live
Koss, M., 10.2024, where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn. Koss, M. & Lyn, A. (eds.). St. Gallen/Berlin, p. 112-117Research output: Contributions to collected editions/works › Chapter
- Published
where paintings live: A Portrait of the Leimgruber Schenk Collection of Works by Angela Lyn with a Text by Max Koss
Koss, M. & Lyn, A., 10.2024, St. Gallen/Berlin: Vexer Verlag. 128 p.Research output: Books and anthologies › Book
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Im Aquarium: Oder: Das Schweigen der Malerei aus der Sicht einer Schriftstellerin
Söntgen, B., 2024, Einlässliche Lektüren: Über Offenheit, Bezogensein und Genauigkeit im Umgang mit Literatur. Grubner, B., Kitzmann, J., Millutat, M., Regeler, L. N. & Welsh, C. (eds.). Bielefeld: Aisthesis Verlag, p. 123-129Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review