Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Critical reviews › Research
- Published
Review of John Christman, The Politics of Persons: Individual Autonomy and Socio-historical Selves
Schefczyk, M., 15.09.2010, In: Notre Dame Philosophical Reviews. 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Review of Mark Jensen: Civil Society in a Liberal Democracy, Routledge, 2011
Schefczyk, M., 24.01.2012, In: Notre Dame Philosophical Reviews. 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
Rezension zu: Helmut Bernt: Eine Berliner Künstlerkarriere im 18. Jahrhundert. Daniel Nikolaus Chodowiecki. Vom Kaufmannslehrling zum Medienstar. Graz 2013
Schütz, A. C., 2013, In: Das achtzehnte Jahrhundert. Zeitschrift der Deutschen Gesellschaft für die Erforschung des achtzehnten Jahrhunderts. 37, 2, p. 312-315 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Rezension zu Stefan Römer und Renate Wiehager (Hg.): The ups and downs of Stan Back Textem Verlang, Hamburg; A-Musik, Köln 2013
Gerhardt, U., 2014, In: Camera Austria. 126/2014Research output: Journal contributions › Critical reviews › Research
- Published
Rez: Volker Neuhaus, Per Ohrgaard, Jörg-Philipp Thomsa (Hg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Bd. 1, Bd. 2, Bd. 3: Widerhall auf das Jahr der Revolten 1968
Klinkenbusch, I. L., 2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Romana Weiershausen. Zeitenwandel als Familiendrama: Genre und Politik im deutschsprachigen Theater des 18. Jahrhunderts
Woisnitza, M., 01.04.2020, In: Seminar, A Journal of Germanic Studies. 56, 2, p. 179-181 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Sabine Ritter: Facetten der Sarah Bartmann. Repräsentation und Rekonstruktionen der 'Hottentottenvenus'
Stammberger, B., 01.10.2012, In: Soziologische Revue. 35, 4, p. 477-479 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Sturheit siegt
Leeb, S. A., 1999, In: Texte zur Kunst. 9, 34, p. 167-171 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
THE SENSUAL SELF - INNER SENSE AND CONSCIOUSNESS IN KANT - GERMAN - MOHR,G
STURMA, D., 1993, In: Kant-Studien. 84, 3, p. 387-390 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
The Weird and the Eerie
Woodard, B. G., 2017, In: Textual Practice. 31, 6, p. 1181-1183 3 p.Research output: Journal contributions › Critical reviews › Research