Institute of Philosophy and Art History

Organisational unit: Institute

  1. Published

    Culture and Capital: Claire Bishop: Place in Plunderland: Claire Bishop on the Shed

    Kipke, A., 2022, Why Art Criticism? : A Reader. Söntgen, B. & Voss, J. (eds.). 1. Auflage ed. Berlin: Hatje Cantz Verlag, p. 428-437 10 p. (Zeitgenössische Kunst).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Cultural Studies und Kulturwissenschaften

    Wuggenig, U., 1998, In: Merz Akademie. 2, p. 43-56 14 p.

    Research output: Journal contributionsJournal articlesResearch

  3. Published

    Cultural Globalization between Myth and Reality: The Case of the Contemporary Visual Arts

    Buchholz, L. & Wuggenig, U., 2005, In: ART-e-FACT : Strategies of Resistance. 04, 14 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Critique. Enlightenment. Parrhesia. Michel Foucault’s Questioning of The Concepts of Person and Humanity in Kant’s Works

    Rainsborough, M., 23.10.2023, The Kantian Subject: New Interpretative Essays. Silva, F. M. F. & Caranti, L. (eds.). Taylor and Francis Inc., p. 132-142 11 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  5. Accepted/In press

    Critique de la morale sacerdotale et pouvoir pastoral”, in: “Cahiers Philosophiques

    Nigro, R., 15.01.2024, (Accepted/In press) In: Cahiers Philosophiques. 2023, 175, 4° trimestre

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Critique: The Stakes of Form

    Kuhn, H. (ed.), Mehl, I. (ed.), Khatib, S. (ed.), Söntgen, B. (ed.) & Lochner, O. (ed.), 28.07.2020, Zürich/Berlin: Diaphanes Verlag. 352 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  7. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Constructing Audiences, Defining Art: The Field Experiment of the Open Public Library

    Buchholz, L. & Wuggenig, U., 2016, In: Journal of Visual Art Practise. 12, p. 12-21 10 p.

    Research output: Journal contributionsJournal articlesTransfer

  9. Published

    Conflicting Evidence

    Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Conflicting Apprehensions and the Question of Sensations

    Schües, C., 1998, Alterity and Facticity, New Perspectives on Husserl. Depraz, N. & Zahavi, D. (eds.). Dordrecht: Wolters Kluwer, p. 139-162 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch