Institute of Philosophy and Art History
Organisational unit: Institute
- Published
Verhandelte und versäumte Erinnerungen, koloniale Blickverhältnisse
Hobuß, S., 2007, Erinnern verhandeln: Kolonialismus im kollektiven Gedächtnis Afrikas und Europas. Hobuß, S. (ed.). Münster: Verlag Westfälisches Dampfboot, p. 194-210 17 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Verantwortung, Schuld und historisches Unrecht
Schefczyk, M., 2015, Schuld und Sühne. : Nach dem Ende der Verantwortung . Liessmann, K. P. (ed.). München: Paul Zsolnay Verlag, p. 116-139 24 p. (Philosophicum Lech; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Verantwortung für historisches Unrecht: Eine philosophische Untersuchung
Schefczyk, M., 2012, Berlin / New York: Walter de Gruyter GmbH. 468 p. (Ideen & Argumente)Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Value Orientations in the World of Visual Art: An Exploration Based on Latent Class and Correspondence Analysis
Tarnai, C. & Wuggenig, U., 1997, Applications of Latent Trait and Latent Class Models in the Social Sciences. Rost, J. & Langeheine, R. (eds.). Münster / New York: Waxmann Verlag, p. 287-295 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Valuation Beyond the Market: On Symbolic and Economic Value in Contemporary Art
Wuggenig, U. & Rudolph, S., 2013, Art Production Beyond the Art Market?. van den Berg, K. & Pasero, U. (eds.). Berlin / New York: Sternberg Press, p. 101-149 49 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Upheaval in the Depot’s Wake: Rehearsal and Drawing in the Work of Tamar Getter
Leeb, S., 08.2016, Putting Rehearsals to the Test: Practices of Rehearsel in Fine Arts, Film, Theater, Theory, and Politics. Buchmann, S., Lafer, I. & Ruhm, C. (eds.). Berlin: Sternberg Press, p. 152-167 16 p. (Publication series of the Academy of Fine Arts Vienna; vol. 19).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Untergrundbewußtsein: Svenja Kreh in der Galerie Vera Gliem, Köln
Leeb, S. A., 2004, In: Texte zur Kunst. 14, 54, p. 214-217 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Unter dem Blick bildlicher Medien
Därmann, I., 2000, Phänomenologie der Kunst: Wiener Tagungen zur Phänomenologie 1999. Pöltner, G. (ed.). Peter Lang Verlag, Vol. 5. p. 13-42 30 p. (Reihe der Österreichischen Gesellschaft für Phänomenologie; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Unsichtbares sichtbar machen – Kunst und der kulturelle Blick
Förster-Beuthan, Y., 2011, Natur und Geist: Beiträge zu ihrer evolutionären Verhältnisbestimmung. Tewes, C. & Vieweg, K. (eds.). Berlin: Walter de Gruyter GmbH, p. 323-334 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Accepted/In press
Un nietzschianesimo senza riserve. La volontà di potenza nel dispositivo del potere pastorale
Nigro, R., 15.01.2024, (Accepted/In press) In: Materiali Foucaultiani. 2022, XI, nummer 21-22Research output: Journal contributions › Journal articles › Research › peer-review