Institute of Philosophy and Art History

Organisational unit: Institute

Organisation profile

The institute consists of two departments: philosophy and art history.

Main research areas

Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).

The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).

With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.

The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.

  1. Published

    Versäumte Lektionen: Kunstgeschichte und Nachkriegszeit; ein Interview mit Jutta Held von Susanne Leeb

    Leeb, S. A., 2003, In: Texte zur Kunst. 12, 50, p. 63-75 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Veronique Doisneau: Tanzstück

    Mordhorst, S., 2017, Das große Tanzlexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 2 ed. Laaber: Laaber Verlag, p. 661-662 2 p.

    Research output: Contributions to collected editions/worksArticles for encyclopediaResearch

  3. Published

    Vernunft kann es nur in Verzweiflung und Überschwang aushalten: Zum Verhältnis von Kritik und Affekt bei Adorno und Deleuze

    Stubenrauch, H., 2024, Kritik(en) des Leidens. Benini, E. & Eusterschulte, A. (eds.). Berlin: Neofelis Verlag, p. 359-372 (Promesse; vol. 5).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  4. Published

    Verknüpfte Daten: Die Zukunft der Provenienzforschung

    Rother, L., Koss, M. & Mariani, F., 05.12.2024, In: Museumskunde. 89, 1/2, p. 26-31 6 p.

    Research output: Journal contributionsJournal articlesTransfer

  5. Published

    Verhandelte und versäumte Erinnerungen, koloniale Blickverhältnisse

    Hobuß, S., 2007, Erinnern verhandeln: Kolonialismus im kollektiven Gedächtnis Afrikas und Europas. Hobuß, S. (ed.). Münster: Verlag Westfälisches Dampfboot, p. 194-210 17 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  6. Published

    Verantwortung, Schuld und historisches Unrecht

    Schefczyk, M., 2015, Schuld und Sühne. : Nach dem Ende der Verantwortung . Liessmann, K. P. (ed.). München: Paul Zsolnay Verlag, p. 116-139 24 p. (Philosophicum Lech; vol. 18).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Verantwortung für historisches Unrecht: Eine philosophische Untersuchung

    Schefczyk, M., 2012, Berlin / New York: Walter de Gruyter GmbH. 468 p. (Ideen & Argumente)

    Research output: Books and anthologiesMonographsResearchpeer-review

  8. Published

    Value Orientations in the World of Visual Art: An Exploration Based on Latent Class and Correspondence Analysis

    Tarnai, C. & Wuggenig, U., 1997, Applications of Latent Trait and Latent Class Models in the Social Sciences. Rost, J. & Langeheine, R. (eds.). Münster / New York: Waxmann Verlag, p. 287-295 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Valuation Beyond the Market: On Symbolic and Economic Value in Contemporary Art

    Wuggenig, U. & Rudolph, S., 2013, Art Production Beyond the Art Market?. van den Berg, K. & Pasero, U. (eds.). Berlin / New York: Sternberg Press, p. 101-149 49 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Upheaval in the Depot’s Wake: Rehearsal and Drawing in the Work of Tamar Getter

    Leeb, S., 08.2016, Putting Rehearsals to the Test: Practices of Rehearsel in Fine Arts, Film, Theater, Theory, and Politics. Buchmann, S., Lafer, I. & Ruhm, C. (eds.). Berlin: Sternberg Press, p. 152-167 16 p. (Publication series of the Academy of Fine Arts Vienna; vol. 19).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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