Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Fremderfahrung und Repräsentation
Därmann, I. (Editor) & Jamme, C. (Editor), 2002, 1. Aufl ed. Weilerswist: Velbrück Wissenschaft. 325 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Fremderfahrungen und Fremddarstellungen: von hier nach dort und zurück
Hobuß, S., 2004, Konversionen: Fremderfahrungen in ethnologischer und interkultureller Perspektive. Därmann, I., Hobuß, S. & Lölke, U. (eds.). Amsterdam [u.a.]: Rodopi, p. 7-32 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Fremde Monde der Vernunft: die ethnologische Provokation der Philosophie
Därmann, I., 2005, Paderborn: Wilhelm Fink Verlag. 789 p.Research output: Books and anthologies › Monographs › Research
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Francesca Ferrando (2019): Philosophical Posthumanism. Theory in the New Humanities, Series Editor: Rosi Braidotti, Preface by Rosi Braidotti). Bloomsbury Academic (27 June, 2019), 296 pages, ISBN:1350059501, ISBN: 9781350059504
Foerster, Y., 01.12.2020, In: AI & Society. 35, 4, p. 1079-1081 3 p.Research output: Journal contributions › Critical reviews › Research
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Fragmentierung und Kooptation: Zu problematischen Aspekten der ‘Hybridität‘ oppositioneller Kunstformen
Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 5, 3 p.Research output: Journal contributions › Journal articles › Research
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Foucault heute : neue Perspektiven in Philosophie und Kulturwissenschaft, Edition Moderne Postmoderne
Rainsborough, M., 07.11.2018, Bielefeld: transcript Verlag. 246 p. (Edition Moderne Postmoderne)Research output: Books and anthologies › Book
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Fotografie
Behnke, C., 2009, Bourdieu-Handbuch: Leben-Werk-Wirkung. Fröhlich, G. & Rehbein, B. (eds.). Stuttgart und Weimar: J.B. Metzler, p. 366-368 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Foto-Essays: zur Geschichte und Theorie der Fotografie
Kemp, W., 2006, München: Schirmer/Mosel Verlag. 175 p.Research output: Books and anthologies › Monographs › Research
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"foto-bauhäusler, werdet arbeiterfotografen!"
Neugärtner, S., 24.10.2022, Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus. Thöner, W., Strob, F. & Schätzke, A. (eds.). Basel: Birkhäuser Verlag GmbH, p. 163-180 18 p. (Bauwelt Fundamente; vol. 175)(Edition Bauhaus; vol. 60).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Forschungsbericht zu Henry van de Velde: Von der Avantgarde zur Arrieregarde
Marchal, S. & Möllmer, T., 2014, In: Kunstchronik. 67, 12, p. 599-609 11 p.Research output: Journal contributions › Critical reviews › Research