Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Glänzen, Blicken, Flickern. Das Prinzip der Glimpses in AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY
Kuhn, E., 2021, In: Film-Konzepte. 61, p. 55-70 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Gibt es eine Wissenschaft des Fremden ? zur aktuellen Theoriedebatte zwischen Philosophie und Ethnologie
Jamme, C., 2002, Fremderfahrung und Repräsentation. Därmann, I. & Jamme, C. (eds.). Weilerswist: Velbrück Wissenschaft, p. 183-208 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Gibt es eine Kunst des Posthistoire? Zu einem Deutungsschema der Nachkriegszeit
Leeb, S. A., 2008, Die Stadt von Morgen: Beiträge zu einer Archäologie des Hansaviertels Berlin. Maechtel, A. & Peters, K. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 104-117 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
„Ghostly Embodiments“
Gerhardt, U., 2021, Irina Gheorghe, Methods for the Study of What Is Not There. Quante, N. (ed.). Berlin: Bierke Verlag, 1 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
Gespenstergespräche: Über einige Archive des Vergessenen und Institutionen der Psychoanalyse
Därmann, I. & Thiel, D., 1998, In: Phänomenologische Forschungen. 3, 2, p. 245-275 31 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Geschmacksklassen: Susanne Leeb über die Gruppenausstellung "Possession", Berlin
Leeb, S. A., 2005, In: Texte zur Kunst. 15, 60, p. 193-197 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
Geschlechtlichkeit als Situation: Die Anonymität des Körpers in der Phänomenologie Merleau-Pontys
Andermann, K., 2013, Leiblichkeit und Personalität : zum Gedenken an Anna Blume. Jamme, C. (ed.). Springe: UNIBUCH Verlag, p. 62-80 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Geschichten und Geschichte: Mythos in mythenloser Gesellschaft ; Antrittsvorlesung an der Friedrich Schiller Universität am 28. Januar 1997
Jamme, C., 2011, Aufklärung und neue Mythen. Kühn, R. & Schlimme, J. E. (eds.). Freiburg: Verlag Karl Alber, p. 84-105 22 p. (Psycho-Logik; no. 6).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Geschichte(n) des Kunststreiks
Bempeza, S., 2019, Wien: Transversal Texts. 194 p.Research output: Books and anthologies › Monographs › Research › peer-review
- Published
Geschichte der Fotografie : von Daguerre bis Gursky
Kemp, W., 2011, C.H. Beck Verlag. 128 p. (C.H. Beck Wissen; vol. 2727)Research output: Books and anthologies › Monographs › Transfer