Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Maintenance-(Art)Work und die Arbeit am eigenen Bild
Kuhn, E., 01.12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, p. 452-472 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Mad speculation and absolute inhumanism: Lovecraft, ligotti, and the weirding of philosophy
Woodard, B., 01.01.2019, In: Logos (Russian Federation). 29, 5, p. 203-228 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Macht und Ohnmacht der Kunstkritik
Wuggenig, U., 1996, Quantum Daemon: Institutionen der Kunstgemeinschaft. Weibel, P. (ed.). Wien: Passagen, p. 239-296 58 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Machine Art in the Twentieth Century
Broeckmann, A., 01.01.2016, Cambridge, MA: The MIT Press. 388 p. (Leonardo Book Series)Research output: Books and anthologies › Book
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Machina ex artificium. Zur Maschinenästhetik im künstlerischen Werk Ralf Baeckers.
Broeckmann, A., 01.2023, Ralf Baecker. Cybernetic Imaginaries.. Seiffahrt, C. (ed.). Berlin: Distanz Verlag, p. 22-27 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Lu Märten: An Introduction to Four Texts
Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 3-14 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Love in Paramyth: On Rilke's Figuration of the Orpheus Myth
Jamme, C., 20.06.2019, Rilke's SONNETS TO ORPHEUS: PHILOSOPHICAL AND CRITICAL PERSPECTIVES. Vandegrift Eldridge, H. & Fischer, L. (eds.). 1 ed. Oxford: Oxford University Press, Vol. 1. p. 178-193 16 p. 6.Research output: Contributions to collected editions/works › Chapter › peer-review
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Lo sviluppo filosofico di Hölderlin
Jamme, C., 2003, In: Rivista di Storia della Filosofia. 58, 3, p. 423-436 14 p.Research output: Journal contributions › Scientific review articles › Research
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Lo spazio sonoro della traduzione. Note a margine de Il compito del traduttore di Walter Benjamin
Costa, M. T., 2014, In: Rivista Italiana di Filosofia del Linguaggio. 8, 2(2014), p. 59-71Research output: Journal contributions › Journal articles › Research › peer-review
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Los medios de comunicación en Europa: Transformación de estructuras de un contexto cambiante
Pohoryles, R. J., Schlesinger, P. & Wuggenig, U., 04.1991, In: Telos: Cuadernos de Comunicación, Tecnología y Sociedad. 25, p. 54-59 6 p.Research output: Journal contributions › Journal articles › Research