Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Obsessive Bilder in Bewegung oder pikturale (Fremd-) Darstellungen in europäischer, fremd- und interkultureller Sicht
Därmann, I., 2004, In: Paideuma - Zeitschrift für kulturanthropologische Forschung. 50, p. 59-78 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Objektaffekte: Die Rolle der Künstler/innen im sozialen Netzwerk
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 231-249 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
„Nur ins Dunkel ists ein Schritt“ Paul Celan und Friedrich Hölderlin
Jamme, C., 04.2020, In: MLN - Modern Language Notes. 135, 3, p. 620-634 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Nun Künstler, wo steht ihr, seid ihr auch bereit ..."
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 65-69 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Notes Toward a Performative Theory of Assembly by Judith Butler . Cambridge, MA: Harvard University Press, 2015.
Trott, B., 02.2018, In: Political Studies Review Journal. 16, 1, p. NP12-NP12 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
Northern Soul: an excellent survey of Nordic Art testifies to its diverse stylistic range at the turn of the 20th century
Hemkendreis, A., 03.2013, In: Apollo . 3, p. 176-177 2 p.Research output: Journal contributions › Critical reviews › Research
- Published
Normative Integration of the Avantgarde? Traditionalism in the Art worlds of Vienna, Hamburg and Paris
Tarnai, C. & Wuggenig, U., 1998, Visualization of Categorial Data. Blasius, J. & Greenacre, M. (eds.). London / San Diego / New York: Academic Press Inc., p. 171-184 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Nom Kommentar zur Bildkritik. Goethes Erzählung «Die guten Frauen, als Gegenbilder der bösen Weiber»
Schütz, A. C., 2016, In: Goethe Jahrbuch. 133, p. 31-39 9 p.Research output: Journal contributions › Scientific review articles › Research
- Published
No Concept of form within Sight Can System Theory help us?
Kemp, W., 07.2019, In: Merkur. 73, 842, p. 31-+Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Nietzsche und der Mythos
Jamme, C., 2005, Mišljenje u vrtlogu našega vremena. Basta, D. N. (ed.). Beograd: Gutenbergova Galaksija, p. 175-179 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research