Organisation profile
Topics
Das Institut für Philosophie und Kunstwissenschaft dient der auf die Kultur und die Künste bezogenen theoretischen wie empirischen Forschung, dem wissenschaftlichen und kulturellen Transfer sowie der Lehre auf diesen Gebieten aus geistes-, sozial- und wirtschaftwissenschaftlichen Perspektiven.
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Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne
Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.Research output: Journal contributions › Critical reviews › Research
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’... the world was becomming numerical.’: Informationsgrafik und Kunst in Dierk Schmidts ‚Die Teilung der Erde’
Leeb, S. A., 2010, Dierk Schmidt. The Division of the Earth: Tableaux on the Legal Synopses of the Berlin Africa Conference. 1 ed. Köln: Verlag der Buchhandlung Walther König, p. 112-121 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The well- and unwell-being of a child
Schües, C. & Rehmann-Sutter, C., 10.2013, In: Topoi. An International Review of Philosophy. 32, 2, p. 197-205 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Weird and the Eerie
Woodard, B. G., 2017, In: Textual Practice. 31, 6, p. 1181-1183 3 p.Research output: Journal contributions › Critical reviews › Research
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The Trans-human Paradigm and the Meaning of Life
Schües, C., 10.05.2017, Future Directions in Feminist Phenomenology. Fielding, H. A. & Olkowski, D. E. (eds.). Bloomington: Indiana University Press, p. 218-241 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Thesen zur Koinzidenz von Symbolwert und Marktwert der Kunst
Wuggenig, U. & Rudolph, S., 03.01.2022, In: Bild.punkt: Zeitschrift der IG Bildende Kunst. 59, p. 21-25 4 p., 7.Research output: Journal contributions › Journal articles › Research
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THE SENSUAL SELF - INNER SENSE AND CONSCIOUSNESS IN KANT - GERMAN - MOHR,G
STURMA, D., 1993, In: Kant-Studien. 84, 3, p. 387-390 4 p.Research output: Journal contributions › Critical reviews › Research
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The Return of the Plague of Ornaments
Wuggenig, U., 2013, D.A. : A Transdisciplinary Handbook of Design Anthropology. Milev, Y. (ed.). Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Lang Verlag, Vol. 1. p. 56-67 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Return of History - An Exchange between Christoph Behnke, Cornelia Kastelan, and Ulf Wuggenig
Behnke, C., Kastelan, C. & Wuggenig, U., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 174-185 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer