Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Timo Nasseri
Gerhardt, U., 2013, Utopie beginnt im Kleinen - 12. Triennale Kleinplastik Fellbach. Dziewior, Y. & Nollert, A. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 140-141 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ticio Escobar: Towards a Popular Art
Benezra, K., 01.04.2022, In: Journal of Latin American and Latinx Visual Culture. 4, 2, p. 86-94 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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This Changes Everything: Capitalism vs the Climate
Trott, B., 12.2014, In: Development. 57, 3-4, p. 633-635 3 p.Research output: Journal contributions › Critical reviews › Research
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Thinking Against Nature: Nature, Ideation, and Realism between Lovecraft and Shelling
Woodard, B., 01.01.2022, In: Logos (Russian Federation). 32, 2, p. 43-64 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne
Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.Research output: Journal contributions › Critical reviews › Research
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’... the world was becomming numerical.’: Informationsgrafik und Kunst in Dierk Schmidts ‚Die Teilung der Erde’
Leeb, S. A., 2010, Dierk Schmidt. The Division of the Earth: Tableaux on the Legal Synopses of the Berlin Africa Conference. 1 ed. Köln: Verlag der Buchhandlung Walther König, p. 112-121 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The well- and unwell-being of a child
Schües, C. & Rehmann-Sutter , C., 10.2013, In: Topoi. An International Review of Philosophy. 32, 2, p. 197-205 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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The Weird and the Eerie
Woodard, B. G., 2017, In: Textual Practice. 31, 6, p. 1181-1183 3 p.Research output: Journal contributions › Critical reviews › Research
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The Trans-human Paradigm and the Meaning of Life
Schües, C., 10.05.2017, Future Directions in Feminist Phenomenology. Fielding, H. A. & Olkowski, D. E. (eds.). Bloomington: Indiana University Press, p. 218-241 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review