Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Aktivierungen des Archivs und der Ausstellung. Zum Verhältnis von Deponieren und Exponieren im digitalen Museum
Neugärtner, S., 10.2024, Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen - Ein Reader. Friedrich, S., Mangold, J. & Rau, S. (eds.). Bielefeld: transcript Verlag, p. 303-311 9 p. (Edition Kulturwissenschaft; vol. 301).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Ähnlichkeit mit unähnlichen Mitteln: Die Auflösung der Repräsentation der figuralen Form
Andermann, K., 2004, In: Kritische Berichte. 32, 2, p. 76-83 8 p.Research output: Journal contributions › Journal articles › Research
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Agentinnen in fremder Sache
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 43, p. 215-220 6 p.Research output: Journal contributions › Critical reviews › Research
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Age and Future: Phenomenological Paths of Optimism
Schües, C., 01.01.2014, Simone de Beauvoir's Philosophy of age: gender, ethics, and time. Stoller , S. (ed.). Berlin : Walter de Gruyter, p. 215 - 230 16 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Affective Labour and Alienation: Spinoza’s Materialism and the Sad Passions of Post-Fordist Work
Trott, B., 11.2017, In: Emotion, Space and Society. 25, p. 119-126 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Affect, Attachment, and Passion: An Exchange between Christoph Behnke, Cornelia Kastelan, and Ulf Wuggenig
Behnke, C., Kastelan, C. & Wuggenig, U., 2015, Art in the Periphery of the Center. Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 40-55 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
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Aesthetics of the past and the future: Human life within changing environments
Förster, Y., 06.07.2020, Aesthetics in Dialogue: Applying Philosophy of Art in a Global World. Somhegyi, Z. & Ryynänen, M. (eds.). Peter Lang Verlag, p. 237-250 14 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies
Brunner, C. & Kleesattel, I., 2019, In: Proceedings of the European Society for Aesthetics. 11, p. 106-125 20 p.Research output: Journal contributions › Conference article in journal › Research › peer-review
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Aesthetics Column With Blindman on the Documenta 13
Kemp, W., 01.2013, In: Merkur. 67, 1, p. 45-50 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Aesthetic Practices of the New Right: Fake and Post-truth as a Challenge for Transgressive Art and Cultural Practices
Bempeza, S., 21.06.2020, In: Medienimpulse. 58, 2, 34 p.Research output: Journal contributions › Journal articles › Research › peer-review