Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2003
- Published
Von Nürtingen bis zum Tübinger Turm (1800 - 1843)
Jamme, C. (Editor) & Völkel, F. (Editor), 2003, Stuttgart-Bad Cannstatt: Frommann-Holzboog Verlag. 543 p. (Specula - Hölderlin und der deutsche Idealismus; vol. 4)Research output: Books and anthologies › Collected editions and anthologies › Research
- 2002
- Published
Das Empire, der Nordwesten und der Rest der Welt: die "internationale zeitgenössische Kunst" im Zeitalter der Globalisierung
Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 9, 10 p.Research output: Journal contributions › Journal articles › Research
- Published
Die Collage als Spottidiom: Die Monografie der Künstlerin Mary Beth Edelson
Leeb, S. A., 2002, In: Texte zur Kunst. 12, 46, p. 150-155 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Die tragische Szene: zur radikalen Unähnlichkeit des Fremden bei Freud, Husserl und Lacan
Därmann, I., 2002, Fremderfahrung und Repräsentation. Därmann, I. & Jamme, C. (eds.). Weilerswist: Velbrück Wissenschaft, p. 277-320 44 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Fragmentierung und Kooptation: Zu problematischen Aspekten der ‘Hybridität‘ oppositioneller Kunstformen
Wuggenig, U., 2002, In: transversal / EIPCP multilingual webjournal. 2002, 5, 3 p.Research output: Journal contributions › Journal articles › Research
- Published
Fremderfahrung und Repräsentation
Därmann, I. (Editor) & Jamme, C. (Editor), 2002, 1. Aufl ed. Weilerswist: Velbrück Wissenschaft. 325 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Gibt es eine Wissenschaft des Fremden ? zur aktuellen Theoriedebatte zwischen Philosophie und Ethnologie
Jamme, C., 2002, Fremderfahrung und Repräsentation. Därmann, I. & Jamme, C. (eds.). Weilerswist: Velbrück Wissenschaft, p. 183-208 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hilmer, Brigitte:: Scheinen des Begriffs: Hegels Logik der Kunst
Jamme, C., 2002, In: Jahrbuch für Hegelforschung. 6/7, p. 357-360 4 p.Research output: Journal contributions › Critical reviews › Research
- Published
Ich nicht: Ein Interviewbuch für Fans
Leeb, S. A., 2002, In: Texte zur Kunst. 12, 45, p. 181-185 5 p.Research output: Journal contributions › Critical reviews › Research
- 2001
- Published
Agentinnen in fremder Sache
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 43, p. 215-220 6 p.Research output: Journal contributions › Critical reviews › Research