Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds: Geocriticism and Spatial Literary Studies
Woodard, B., 18.11.2019, Spaces and Fictions of the Weird and the Fantastic : Ecologies, Geographies, Oddities. Greve, J. & Zappe, F. (eds.). Palgrave Macmillan, p. 149-164 16 p. (Geocriticism and Spatial Literary Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Digitale Medien, Partizipation und Ungleichheit: eine Studie zum sozialen Gebrauch des Internets
Rudolph, S., 08.07.2019, Wiesbaden: Springer VS. 394 p.Research output: Books and anthologies › Book
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Charakterbilder und Projektionsfiguren: Chodowieckis Kupfer, Goethes Werther und die Darstellungstheorie in der Aufklärung
Schütz, A. C., 2019, Göttingen: Wallstein Verlag. 358 p. (Das achtzehnte Jahrhundert Supplementa ; vol. 26)Research output: Books and anthologies › Book
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Artificial intelligence: Invisible agencies in the folds of technological cultures
Förster, Y., 01.10.2019, The Democratization of Artificial Intelligence: Net Politics in the Era of Learning Algorithms. Sudmann, A. (ed.). transcript Verlag, p. 175-188 14 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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The Machine as Artist as Myth
Broeckmann, A., 20.02.2019, In: Arts. 8, 1, 10 p., 25.Research output: Journal contributions › Journal articles › Research › peer-review
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Coexistence: Entretien avec Mathilde ter Heijne
Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Sprachbildlichkeit: Zur Universalpoesie eines Thesaurus
Steierwald, U. R. (Editor) & Kemp, W. K. (Editor), 2019, Böhlau Verlag GmbH. 143 p. (Figurationen : Gender, Literatur, Kultur ; vol. 2019, no. 2)Research output: Books and anthologies › Special Journal issue › Research
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Die Verweigerung der Arbeit: philosophische Implikationen einer politisch-ästetischen Praktik
Nigro, R., 2019, 10 Minuten Philosophie. Jamme, C. & Drechsler, K. (eds.). Wilhelm Fink Verlag, p. 109-111 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Streifen und Glätten: Die Erfindung einer neuen Organisation
Nigro, R., 2019, Maschinen, Fabriken, Industrien: Tausend Maschinen, Fabriken des Wissens, Industrien der Kreativität. Raunig, G. (ed.). Wien: Transversal Texts, p. 147-157 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Volker Neuhaus, Per Ohrgaard, Jörg-philipp Thomsa (Hrsg.): Freipass. Schriften der Günter und Ute Grass Stiftung, Christoph Links Verlag, Berlin. Bd. 1, 2015, 296 S.; Bd. 2, 2016, 328 S.; Bd. 3: Widerhall auf das Jahr der Revolten 1968, 2018, 360 S.
Klinkenbusch, I., 01.01.2019, In: Zeitschrift für Germanistik. 29, 3, p. 663-665 3 p.Research output: Journal contributions › Critical reviews › Research