Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Notes Toward a Performative Theory of Assembly by Judith Butler . Cambridge, MA: Harvard University Press, 2015.
Trott, B., 02.2018, In: Political Studies Review Journal. 16, 1, p. NP12-NP12 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
Operaismo and The Wicked Problem of Organisation
Trott, B., 09.2017, In: Journal of Labor and Society. 20, 3, p. 307-324 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Tracing exploratory modes in digital collections of museum Web sites using reverse information architecture
Kreiseler, S., Brüggemann, V. & Dörk, M., 03.04.2017, In: First Monday. 22, 4, 17 p., 1p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Machine Art in the Twentieth Century
Broeckmann, A., 01.01.2016, Cambridge, MA: The MIT Press. 388 p. (Leonardo Book Series)Research output: Books and anthologies › Book
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Memory, Contradictions and Resignification of Colonial Imagery in “My Heart of Darkness”
Hobuß, S., 11.2017, (Post)Colonial Histories: Trauma, Memory and Reconciliation in the Context of the Angolan Civil War. Hobuß, S. & Jager, B. (eds.). Bielefeld: transcript Verlag, p. 99-118 20 p. (Post Colonial Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
(Post)Colonial Histories: Trauma, Memory and Reconciliation in the Context of the Angolan Civil War
Jager, B. (Editor) & Hobuß, S. (Editor), 2017, Bielefeld: transcript Verlag. 254 p. (Postcolonial Studies; vol. 26)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Erinnerungsakte. Kollektives Gedächtnis und die Rolle der verhandelten Erinnerung
Hobuß, S., 01.01.2021, Erinnerungen an Unrecht. : Arabisch-deutsche Perspektiven. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 42-58 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Wilhelm Worringer: Schriften - Band 1
Söntgen, B. (Editor), Grebing, H. (Editor) & Böhringer, H. (Editor), 2014, 1 ed. München: Wilhelm Fink Verlag. 1504 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Materialität der Diagramme: Kunst und Theorie
Leeb, S. (Editor), 2012, 1 ed. Berlin: b-books. 272 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Julius Meier-Graefe und die plurale Logik der Bilder
Marchal, S., 2016, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft. 61, 1, p. 97-118 22 p.Research output: Journal contributions › Journal articles › Research