Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
(Post)Colonial Histories: Trauma, Memory and Reconciliation in the Context of the Angolan Civil War
Jager, B. (Editor) & Hobuß, S. (Editor), 2017, Bielefeld: transcript Verlag. 254 p. (Postcolonial Studies; vol. 26)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Erinnerungsakte. Kollektives Gedächtnis und die Rolle der verhandelten Erinnerung
Hobuß, S., 01.01.2021, Erinnerungen an Unrecht. : Arabisch-deutsche Perspektiven. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 42-58 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Wilhelm Worringer: Schriften - Band 1
Söntgen, B. (Editor), Grebing, H. (Editor) & Böhringer, H. (Editor), 2014, 1 ed. München: Wilhelm Fink Verlag. 1504 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Materialität der Diagramme: Kunst und Theorie
Leeb, S. (Editor), 2012, 1 ed. Berlin: b-books. 272 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Julius Meier-Graefe und die plurale Logik der Bilder
Marchal, S., 2016, In: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft. 61, 1, p. 97-118 22 p.Research output: Journal contributions › Journal articles › Research
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Hans von Marées als entwicklungsgeschichtlicher Gipfelpunkt moderner Malerei? Zum Bildverständnis von Julius Meier-Graefe
Marchal, S., 2017, Julius Meier-Graefe: Grenzgänger der Künste. Becker, I. & Marchal, S. (eds.). Berlin: Deutscher Kunstverlag, p. 149-161 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Foucault heute : neue Perspektiven in Philosophie und Kulturwissenschaft, Edition Moderne Postmoderne
Rainsborough, M., 07.11.2018, Bielefeld: transcript Verlag. 246 p. (Edition Moderne Postmoderne)Research output: Books and anthologies › Book
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Barbaric Salvage: Benjamin and the Dialectics of Destruction
Khatib, S., 03.04.2018, In: Parallax. 24, 2, p. 135-158 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
General Intellect
Nigro, R., 2018, In: Krisis. Journal for Contemporary Philosophy. 2/2018, p. 67-70 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Workerism
Nigro, R., 2018, In: Krisis. Journal for Contemporary Philosophy. 2/2018, p. 170-173 4 p.Research output: Journal contributions › Journal articles › Research › peer-review