Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Silence, remembering, and forgetting in Wittgenstein, Cage, and Derrida
Hobuß, S., 2016, Beyond memory: Silence and the Aesthetics of Remembrance. Dessingué, A. & Winter, J. (eds.). New York: Routledge Taylor & Francis Group, p. 95-110 16 p. 6. (Routledge Approaches to History; vol. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Singularities and Superintelligence: Transcending the Human in Contemporary Cinema
Förster-Beuthan, Y., 10.2016, In: Trans-Humanities. 9, 3, p. 33-50 18 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Situative Identität? Sozialität und Selbstverhältnis unter dem Zeitregime der Spätmoderne
Schües, C., 2015, Phänomenologische Ontologie des Sozialen. Zaborowski, H., Radinkovic, Ž. & Jovanov, R. (eds.). Belgrad : University of Belgrade, p. 35 - 60 26 p. (Disput).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Skulpturen aus der Zukunft der Vergangenheit
Gerhardt, U., 01.09.2016, In: frieze d/e. 25, Skulptur Projekte Münster 2017. Out of Time, p. 9-10 2 p.Research output: Journal contributions › Other (editorial matter etc.) › Research
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Sobre la transferencia: Lacan y Althusser
Benezra, K., 09.01.2022, In: Res Publica. 25, 1, p. 65-74 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Social and Epistemic Control in Collaborative Research — Reconfiguring the Interplay of Politics and Methodology
Herberg, J. & Vilsmaier, U., 03.07.2020, In: Social Epistemology. 34, 4, p. 309-318 10 p.Research output: Journal contributions › Journal articles › Research › peer-review
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"Something is not quite right" - Two cinematic narratives about decision-making after prenatal diagnosis
Rehmann-Sutter, C. & Schües, C., 18.11.2022, Genetic Responsibility in Germany and Israel: Practices of Prenatal Diagnosis. Schües, C. (ed.). transcript Verlag, p. 253-262 10 p. (Bioethik / Medizinethik; vol. 4).Research output: Contributions to collected editions/works › Chapter › peer-review
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Soziale Strukturierungen der photographischen Repräsentationen der häuslichen Objektwelt. Ergebnisse einer Photobefragung
Wuggenig, U., 1994, Das symbolische Kapital der Lebensstile. Zur Kultursoziologie der Moderne nach Pierre Bourdieu. Mörth, I. & Fröhlich, G. (eds.). Frankfurt am Main: Campus Verlag, p. 207-228 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziale Ungleichheit und legitime Kultur
Wuggenig, U., 1988, Kulturarbeit und Kulturpädagogik: Grundlagen, Praxisfelder, Ausbildung. Müller-Rolli, S. (ed.). München: Juventa Verlag, p. 33-64 32 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziologie des Publikums / Sociology of the Audience
Wuggenig, U. & Kockot, V., 1993, Das Bild der Ausstellung: The Image of the Exhibition. Brüderlin, M. (ed.). Wien: Hochschule für Angewandte Kunst Wien, p. 82-90 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research