Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Schweigeverhältnisse überstimmen oder Mit den Füssen denken: Angela Melitopoulos im Gespräch mit Susanne Leeb
Leeb, S., 03.2017, In: Texte zur Kunst. 2017, 105, p. 63-71 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Science and Technology Studies: Die Materialität des wissenschaftlichen Vortrags
Weinert, A., 06.2018, 10 Minuten Soziologie: Materialität. Henkel, A. (ed.). Bielefeld: transcript Verlag, p. 93-106 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Segment Introduction
Nigro, R. & Hörl, E., 01.10.2021, Taking Sides: Theories, Practices, and Cultures of Participation in Dissent. Bippus, E., Ganzert, A. & Otto, I. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 28. p. 251-257 7 p. (Culture & theory; vol. 211).Research output: Contributions to collected editions/works › Other › Research
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Selbstreflexive Autorsysteme
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 41, p. 49-56 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Sermo corporeus: Die Erzählung der mittelalterlichen Glasfenster
Kemp, W., 1987, München: Schirmer/Mosel Verlag. 300 p.Research output: Books and anthologies › Monographs › Research
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Seth Price. Decimating Digital Data
Neugärtner, S., 28.03.2023, Productive Image Interference. Sigmar Polke and Current Perspectives. Anna Polke-Stiftung (ed.). Berlin: Distanz Verlag, p. 59-74 16 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Seuse, Heinrich (lat. Suso): geb. 21.3.1295 in Konstanz, gest. 25.1.1366 in Ulm
Hobuß, S., 01.01.2004, Metzler-Autoren-Lexikon: Deutschsprachige Dichter und Schriftsteller vom Mittelalter bis zur Gegenwart . Lutz, B. & Jeßing, B. (eds.). Stuttgart [u.a.]: J.B. Metzler, p. 701-703 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Sexual Difference or the Desire to Change It All
Benezra, K., 01.01.2021, In: Diacritics. 49, 2, p. 137-144 8 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Shifting Immediations: Fields of Experience across Media Art and Design
Brunner, C. & Fritsch, J., 11.2020, Proceedings of the 26th International Symposium of Electronic Arts - ISEA 2020: Why Sentience?. ISEA (ed.). Montreal (Quebec): Printemps Numerique Canada, p. 91-97 7 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Sigrid Kopfermann
Hosseini, A., 2008, Kunstsammlungen der Ruhr-Universität Bochum – Campusmuseum Sammlung Moderne. Hoppe-Sailer, R. & Wappler, F. (eds.). Düsseldorf: Richter Verlag, p. 59-61 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review