Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Rituals of Coexistence: Bodies and Technology during Pandemics
Forster, Y., 01.09.2022, In: INTERLITTERARIA. 27, 1, p. 84-98 15 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Rituelles und moralisches Opfer bei Kant
Därmann, I., 2009, Ästhetische Regime um 1800. Balke, F., Maye, H. & Scholz, L. (eds.). Paderborn: Wilhelm Fink Verlag, p. 203-219 17 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Rivalität, Konflikt und Freiheit: Ein Vergleich von Pierre Bourdieus Feldtheorie und Arthur C. Dantos Philosophie (der Geschichte) der Kunst
Wuggenig, U., 1995, In: Texte zur Kunst. 5, 20, p. 87-107 21 p.Research output: Journal contributions › Journal articles › Research
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Romana Weiershausen. Zeitenwandel als Familiendrama: Genre und Politik im deutschsprachigen Theater des 18. Jahrhunderts
Woisnitza, M., 01.04.2020, In: Seminar, A Journal of Germanic Studies. 56, 2, p. 179-181 3 p.Research output: Journal contributions › Critical reviews › Research
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Romantische Ideen im modernen Gewand: Ironie in Philosophie und Mode
Förster-Beuthan, Y., 2012, Die Aktualität der Romantik. Forster, M. & Vieweg, K. (eds.). Berlin: LIT Verlag, p. 221-237 17 p. (Romantik heute; no. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ronald David Laing
Schües, C., 1999, Grosses Werkslexikon der Philosophie: L - Z, Anonyma und Sammlungen. Volpi, F. & Koettnitz, M. (eds.). Stuttgart: Kröner Verlag, Vol. 2. p. 865 1 p. (Großes Werklexikon der Philosophie; vol. 2).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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"Rufer des neuen Gottes": Zur Remythisierung Hölderlins im Georgekreis und ihren Heideggerianischen Folgen
Jamme, C., 2014, Hölderlin in der Moderne: Kolloquium für Dieter Henrich zum 85. Geburtstag. Vollhardt, F. (ed.). Berlin: Erich Schmidt Verlag, p. 80-92 13 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Sabine Ritter: Facetten der Sarah Bartmann. Repräsentation und Rekonstruktionen der 'Hottentottenvenus'
Stammberger, B., 01.10.2012, In: Soziologische Revue. 35, 4, p. 477-479 3 p.Research output: Journal contributions › Critical reviews › Research
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Same-Sex Marriage and the Queer Politics of Dissensus
Trott, B., 04.2016, In: South Atlantic Quarterly. 115, 2, p. 411-423 13 p.Research output: Journal contributions › Journal articles › Research
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Sammler/innen und Sammlungen: Die Vergoldung der Nabelschnur
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 251-274 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research