Institute of Philosophy and Art History

Organisational unit: Institute

Organisation profile

 

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 Das Institut für Philosophie und Kunstwissenschaft dient der auf die Kultur und die Künste bezogenen theoretischen wie empirischen Forschung, dem wissenschaftlichen und kulturellen Transfer sowie der Lehre auf diesen Gebieten aus geistes-, sozial- und wirtschaftwissenschaftlichen Perspektiven.

  1. Published

    Background Justice over Time: Property-Owning Democracy versus a Realistically Utopian Welfare State

    Schefczyk, M., 2013, In: Analyse & Kritik . 35, 1, p. 193-212 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  2. Published

    Barbaric Salvage: Benjamin and the Dialectics of Destruction

    Khatib, S., 03.04.2018, In: Parallax. 24, 2, p. 135-158 24 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    "Being able to love and having to die": Gadamer and Rilke

    Jamme, C., 2010, Consequences of hermeneutics: Fifty Years After Gadamer's Truth and Method. Malpas, J. E. & Zabala, S. (eds.). Evanston, Ill: Northwestern University Press, p. 177-189 13 p.

    Research output: Contributions to collected editions/worksChapterpeer-review

  4. Published

    Bei sich sein: Szenen des Privaten in den Fotografien von Richard Billingham und Nan Goldin

    Söntgen, B., 2012, Hold it !: Zur Pose zwischen Bild und Performance. Brandl-Risi, B., Brandstetter, G. & Diekmann, S. (eds.). Berlin: Verlag Theater der Zeit, p. 96-111 16 p. (Theater der Zeit, Recherchen; no. 89).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Bemächtigung, Entnaturalisierung oder Renaturierung? Naturbegriffe in der Philosophie und den Kulturwissenschaften

    Hobuß, S., 07.2015, Neue Naturverhältnisse in der Gegenwartsliteratur?. Kramer, S. & Schierbaum, M. (eds.). Berlin: Erich Schmidt Verlag, p. 43-72 30 p. (Philologische Studien und Quellen; vol. 250).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Between Art and Promotion: Digital Self-Representation on Artists’ Instagram Profiles

    Fölsche, L. & Jürgens, A., 2017, 6th Annual International Conference on Journalism & Mass Communications. Allen, L. (ed.). Singapur: Global Science and Technology Forum, p. 146-150 5 p. (Annual International Conference on Journalism & Mass Communications; vol. 6).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  7. Published

    Between re-production and re-presentation: The implementation of photographic art reproduction in the documentation of museum collections online

    Kreiseler, S., 10.09.2018, In: Open Library of Humanities. 4, 2, p. 1-35 35 p., 10.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION

    Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  9. Published

    Big Drama - Small Spaces: Keren Cytters Theater

    Söntgen, B., 2015, Sowohl als auch dazwischen: Erfahrungsräume der Kunst. Schafaff, J. & Wihstutz, B. (eds.). 1 ed. Wilhelm Fink Verlag, p. 183 - 194 12 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  10. Published

    Bilder ohne Worte

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.

    Research output: Journal contributionsCritical reviewsResearch

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