Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Ästhetikkolumne: Public Writing
Kemp, W., 01.01.2014, In: Merkur. 68, 776, p. 38-42 5 p.Research output: Journal contributions › Journal articles › Research
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Ästhetikkolumne: in memoriam Werner Hofmann
Kemp, W. K., 06.2013, In: Merkur. 67, 769, p. 534-538 5 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Ästhetikkolumne: Warum ich zu alfons walde nichts gesagt haben will
Kemp, W., 06.2012, In: Merkur. 66, 757, p. 530-534 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Ästhetikkolumne: Mit Blindman auf der Documenta 13
Kemp, W., 01.2013, In: Merkur. 67, 764, p. 45-50 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Asynchrone Objekte
Leeb, S. A., 2013, In: Texte zur Kunst. 91, September, p. 40-62 23 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Auch Klio dichtet... Über Kunstgeschichtsschreibung und das Schweigen der Archive
Söntgen, B., 12.2022, In: Texte zur Kunst. 32, 128, p. 30-39 10 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Auf dem Weg zu einer emanzipierten Provenienzforschung
Rother, L., 2024, Entzug, Transfer, Transit: Menschen, Objekte, Orte und Ereignisse: 20 Jahre Arbeitskreis Provenienzforschung : anlässlich der Jubiläumstagung, 19.-20. April 2021 in Hamburg. A. P. E. V. (ed.). Heidelberg: arthistoricum.net, p. 158-165 8 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Aufgeklärte Mythologie: Thomas Mann und der Mythos
Jamme, C., 2013, Mythos und Kulturtransfer: Neue Figurationen in Literatur, Kunst und modernen Medien. Krüger, B. & Stillmark, H.-C. (eds.). Bielefeld: transcript Verlag, p. 143-153 11 p. (Metabasis; no. 14).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Auf Ungerechtigkeit antworten: Einsatzorte politischen Wahrnehmens
Schües, C., 11.2016, Dem Erleben auf der Spur: Feminismus und die Philosophie des Leibes. Landweer, H. & Marcinski, I. (eds.). Berlin : transcript Verlag, p. 175-196 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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»Aus des Blutes Stimme«. Vermittlung und (Re)Kontextualisierung von NS-Kunst in der Zeitschrift NS-Frauenwarte
Marchal, S. & Zeising, A., 2016, Artige Kunst: Kunst und Politik im Nationalsozialismus. Berswordt-Wallrabe, S., Neumann, J.-U. & Tieze, A. (eds.). Bielefeld: Kerber Verlag, p. 88-102 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research