Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Macht und Ohnmacht der Kunstkritik
Wuggenig, U., 1996, Quantum Daemon: Institutionen der Kunstgemeinschaft. Weibel, P. (ed.). Wien: Passagen, p. 239-296 58 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mad speculation and absolute inhumanism: Lovecraft, ligotti, and the weirding of philosophy
Woodard, B., 01.01.2019, In: Logos. 29, 5, p. 203-228 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Maintenance-(Art)Work und die Arbeit am eigenen Bild
Kuhn, E., 01.12.2024, In: Zeitschrift für Kunstgeschichte. 87, 4, p. 452-472 21 p.Research output: Journal contributions › Journal articles › Research › peer-review
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“Making Sense”: Aesthetic Counterpowers in Activist Media Practices
Brunner, C., 01.07.2020, In: Conjunctions. Transdisciplinary Journal of Cultural Participation. 7, 1, p. 1-16 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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"Malerei der Blindheit": phänomenologische Philosophie und Malerei
Jamme, C., 2000, Phänomenologie der Kunst: Wiener Tagungen zur Phänomenologie 1999. Pöltner, G. (ed.). Peter Lang Verlag, Vol. 5. p. 109-129 21 p. (Reihe der Österreichischen Gesellschaft für Phänomenologie; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Malerei im Spannungsfeld von Phänomenologie und Immanenzphilosophie: Merleau-Ponty und Deleuze
Andermann, K., 2006, Kulturen des Bildes. Mersmann, B. & Behrmann, N. (eds.). München: Wilhelm Fink Verlag, p. 249-263 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Mamma Mia: Über Michaela Meise im Künstlerhaus Bethanien, Berlin
Söntgen, B., 03.2015, In: Texte zur Kunst. 25, 97, p. 237 - 241 5 p.Research output: Journal contributions › Critical reviews › Research
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Manuela Leinhoß
Gerhardt, U., 2013, Utopie beginnt im Kleinen - 12. Triennale Kleinplastik Fellbach. Dziewior, Y. & Nollert, A. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 118-121 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mariology, Calvinism, Painting: Interiority in Pieter de Hooch's Mother at a Cradle
Söntgen, B. E., 01.01.2016, Interiors and Interiority. Lajer-Burcharth, E. & Söntgen, B. (eds.). 1 ed. Walter de Gruyter GmbH, p. 175-193 19 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Martin Heideggers Neubegründung der Phänomenologie
Jamme, C., 2000, Klassische Fragen der Philosophiegeschichte II: Neuzeit und Moderne. Gniffke, F. & Herold, N. (eds.). Münster [u.a.]: LIT Verlag, p. 215-231 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research