Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Kunstraum der Universität Lüneburg
von Bismarck , B., Stoller, D. & Wuggenig, U., 1997, TESTOO MUSTER Messe: erscheint zur Ausstellung "Fabrice Hybert Testoo Muster" der Galerie für Zeitgenössische Kunst Leipzig .... Stoller, D., Werner, K. & Winkelmann, J. (eds.). Leipzig: Messe-Verlag, p. 154-155 2 p. (Oumeurt; vol. 3).Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Kunst und Globalisierung
Buchholz, L. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 163-188 26 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Kunstzentren und Kunstmarktzentren: Paris, Wien, Zürich und Hamburg
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 63-85 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Kwame Gyekye’s Critical Dialogue with Kant’s Ethics and its Political Consequences
Rainsborough, M., 19.01.2022, In: ESTUDOS KANTIANOS. 9, 2, p. 53-68 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
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La "crisi della rappresentazione" nella filosofia contemporanea della pittura
Jamme, C., 2014, Rappresentanza/rappresentazione: Una questione degli studi culturali. Cometa, M. & Mignano, V. (eds.). Macerata: Quodlibet Studio, p. 95-111 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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La Esencia Barroca de la Razón de Estado: Excepción y Regla en el Golpe de Estado Clasico y Moderno
Nigro, R., 2020, Filosofías del Barroco. González García , M. & Castignani , H. (eds.). Madrid: Tecnos Edicion, p. 551-567 17 p. 17Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Landnahme, analog und digital. Ursprüngliche Akkumulation in den Kontrollgesellschaften
Nigro, R. & Stubenrauch, H., 2021, In: Behemoth : a Journal on Civilization. 14, 2, p. 61-74 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Landnahmen, Menschennahmen: Philosophien der Freiheit und ihre Haltung zur Sklaverei
Därmann, I., 2009, Zwischen Aneignung und Verfremdung: ethnologische Gratwanderungen ; Festschrift für Karl-Heinz Kohl. Gottowik, V., Jebens, H. & Platte, E. (eds.). Frankfurt am Main [u.a.]: Campus Verlag, p. 69-82 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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La première œuvre de Gustave Courbet (1819-1877)
Marchal, S., 2014, La première œuvre: Arts et musique (XVe - XXIe siècles). Meyer, V., Cotro, V. & Pujalte-Fraysse, M.-L. (eds.). Rennes: Presses universitaires de Rennes , p. 177-187 11 p. (Collection art & société).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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La red social subyacente a los primeros tomos del Catálogo Monumental de España. Análisis de la correspondencia de Manuel Gómez-Moreno Martínez (1894-1902)
Romero Ferrón, B., Rodríguez Ortega, N. & Suarez, J. L., 2021, In: Universitas Humanística. 90Research output: Journal contributions › Journal articles › Research › peer-review