Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Agentinnen in fremder Sache
Leeb, S. A., 2001, In: Texte zur Kunst. 11, 43, p. 215-220 6 p.Research output: Journal contributions › Critical reviews › Research
- Published
Ähnlichkeit mit unähnlichen Mitteln: Die Auflösung der Repräsentation der figuralen Form
Andermann, K., 2004, In: Kritische Berichte. 32, 2, p. 76-83 8 p.Research output: Journal contributions › Journal articles › Research
- Published
Aktivierungen des Archivs und der Ausstellung. Zum Verhältnis von Deponieren und Exponieren im digitalen Museum
Neugärtner, S., 10.2024, Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen - Ein Reader. Friedrich, S., Mangold, J. & Rau, S. (eds.). Bielefeld: transcript Verlag, p. 303-311 9 p. (Edition Kulturwissenschaft; vol. 301).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Aktivität und Passivität der visuellen Wahrnehmung bei Platon und Aristoteles
Hobuß, S., 2014, Lassen und Tun: Kulturphilosophische Debatten zum Verhältnis von Gabe und kulturellen Praktiken. Hobuß, S. & Tams, N. (eds.). Bielefeld: transcript Verlag, p. 57-78 22 p. (Edition Moderne Postmoderne).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Albert Renger-Patzsch und sein Bildband Das Münster in Essen: der Meister des Einzelbildes widmet sich einem architektonischen Komplex
Kemp, W. K., 2016, Architektur Fotografie : Darstellung - Verwendung - Gestaltung . Locher, H. & Sachsse, R. (eds.). Berlin: Deutscher Kunstverlag, Vol. 3. p. 56-71 15 p. (Transformationen des Visuellen ; vol. 3).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Alex Adriaansens: 1953–2018
Broeckmann, A., 01.06.2019, In: Leonardo. 52, 3, p. 320-320 1 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Alexander und Margarete Mitscherlich: "Die Unfähigkeit zu trauern"
Hobuß, S., 2015, Lexikon der "Vergangenheitsbewältigung" in Deutschland: Debatten- und Diskursgeschichte des Nationalsozialismus nach 1945. Fischer, T. & Lorenz, M. N. (eds.). 3. ed. Bielefeld: transcript Verlag, p. 193-195 3 p. IV.A2. (Histoire; vol. 53).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
A(l)gora: the Mindscape
von Xylander, C., 12.2020, In: Technology and Language. 1, 1, p. 115-125 11 p.Research output: Journal contributions › Journal articles › Research
- Published
Alienation, The Social Individual, and Communism: Marx in the 21st Century
Nigro, R., 06.2016, Work, Migration, Memes, Personal Geopolitics. 30 ed. Zurich: CreateSpace, p. 44-53 9 p. (OnCurating.org; vol. 30).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
A Line with Variable Direction, which Traces No Contour, and Delimits No Form
Leeb, S. A., 2011, Drawing A Hypothesis: Figures of Thought. Gansterer, N. (ed.). Wien / New York: Springer New York LLC, p. 29-42 14 p. (Edition Angewandte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review