Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Das Verschwinden der Moralphilosophie: Zum Verhältnis von subjektivem, objektivem und absolutem Geist in Hegels Rechtsphilosophie
Jamme, C., 2018, Objektiver und absoluter Geist nach Hegel: Kunst, Religion und Philosophie innerhalb und außerhalb von Gesellschaft und Geschichte. Oehl, T. & Kok, A. (eds.). 1 ed. Leiden: Brill, Vol. 21. p. 143-156 12 p. (Critical Studies in German Idealism; vol. 21).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Wahre im Künstlichen: Edgar Degas‘ Die Orchestermusiker
Mordhorst, S., 2015, Monet und die Geburt des Impressionismus. Krämer, F. (ed.). München, London, New York: Prestel Verlag, p. 169-182 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Das Wesen der Dinge: Hammershøi in den Augen Rainer Maria Rilkes
Hemkendreis, A., 2012, Hammershøi und Europa: Ein dänischer Künstler um 1900. Monrad, K. (ed.). München, London, New York: Prestel Verlag, p. 165-180 16 p.Research output: Contributions to collected editions/works › Other › Research
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De cómo se elaboró el primer Catálogo Monumental de España. Análisis de la correspondencia de Manuel Gómez-Moreno Martínez de 1894 a 1902
Romero Ferrón, B., 2017, Universidad de Malaga.Research output: Books and anthologies › Monographs › Research › peer-review
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Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Decorating Charleston Farmhouse: Bloomsbury's Experiments in Forms of Life, Work, and Art
Söntgen, B., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 38 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Dekonstruktion ohne inversive Ethnographie oder Wie eurozentrisch ist Derridas Konzept der Ur-Schrift?
Därmann, I., 2006, Mensch - Leben - Technik: Aktuelle Perspektiven der phänomenologischen Anthropologie. Jonas, J. & Lembeck, K.-H. (eds.). Würzburg: Königshausen & Neumann, p. 169-182 14 p. (Orbis phaenomenologicus Perspektiven; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen
Thomas, T. (Editor), Hobuß, S. (Editor), Kruse, M.-M. (Editor) & Hennig, I. (Editor), 2011, Königstein/Taunus: Ulrike Helmer Verlag. 292 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Democracy After Post-Politics: A Reply to Näsström and Kalm
Trott, B., 2015, In: Global Discourse: An Interdisciplinary Journal of Current Affairs and Applied Contemporary Thought. 5, 4, p. 574-578 5 p.Research output: Journal contributions › Journal articles › Research