Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2000
- Published
Bodenlos
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Des einen Freud, des anderen Leid
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Die Ruhe selbst
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 282-286 5 p.Research output: Journal contributions › Critical reviews › Research
- Published
"Malerei der Blindheit": phänomenologische Philosophie und Malerei
Jamme, C., 2000, Phänomenologie der Kunst: Wiener Tagungen zur Phänomenologie 1999. Pöltner, G. (ed.). Peter Lang Verlag, Vol. 5. p. 109-129 21 p. (Reihe der Österreichischen Gesellschaft für Phänomenologie; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- Published
Martin Heideggers Neubegründung der Phänomenologie
Jamme, C., 2000, Klassische Fragen der Philosophiegeschichte II: Neuzeit und Moderne. Gniffke, F. & Herold, N. (eds.). Münster [u.a.]: LIT Verlag, p. 215-231 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Metaphysik der praktischen Welt: Perspektiven im Anschluß an Hegel und Heidegger ; Festgabe für Otto Pöggeler
Großmann, A. (Editor) & Jamme, C. (Editor), 2000, Amsterdam: Rodopi. 286 p. (Philosophie & Repräsentation; vol. 7)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
"Nun Künstler, wo steht ihr, seid ihr auch bereit ..."
Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 65-69 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Proserpina
Jamme, C., 2000, In: Nuove effemeridi. 13, 52, p. 30-37 8 p.Research output: Journal contributions › Journal articles › Research
- Published
Quand la mémoire devient image de souvenier: Husserl et Freud
Därmann, I., 2000, Phénoménologie française et phénoménologie allemande. Escoubas, E. & Waldenfels, B. (eds.). Paris: L'Harmattan, p. 271-293 23 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Unter dem Blick bildlicher Medien
Därmann, I., 2000, Phänomenologie der Kunst: Wiener Tagungen zur Phänomenologie 1999. Pöltner, G. (ed.). Peter Lang Verlag, Vol. 5. p. 13-42 30 p. (Reihe der Österreichischen Gesellschaft für Phänomenologie; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research