Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- 2010
- Published
Gouaffo, Albert: Wissens- und Kulturtransfer im kolonialen Kontext. Das Beispiel Kamerun-Deutschland (1884-1919), Würzburg: Königshausen & Neumann, 2007 (Saarbrücker Beiträge zur vergleichende Literatur- und Kulturwissenschaft 39), VIII, 284 S.
Hobuß, S., 2010, Europa zwischen Fiktion und Realpolitik / L´Europe - fictions et réalités politiques. Marti, R. & Vogt, H. (eds.). Bielefeld: transcript Verlag, p. 249-251 3 p. (Frankreich-Forum: Jahrbuch des Frankreichzentrums; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hegels Konzeption der Individualität in den Jugendschriften
Jamme, C., 2010, In: Hegeru-tetsugaku-kenkyü. 16, p. 45-58 14 p.Research output: Journal contributions › Journal articles › Research
- Published
Hölderlin und der Mythos
Jamme, C., 2010, Sprache - Dichtung - Philosophie: Heidegger und der Deutsche Idealismus. Frischmann, B. (ed.). Freiburg: Verlag Karl Alber, p. 10-16 7 p. (Alber Philosophie).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Il dibattito sull'immagine a partire dall'Iconic Turn
Costa, M. T., 2010, In: paradosso. 2010, p. 95-108Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Negri, Antonio and Hardt, Michael Volume II. Literary Theory from 1966 to the Present: A‐Z
Trott, B., 2010, Encyclopedia of Literary and Cultural Theory: Literary Theory from 1966 to the Present. Ryan, M. (ed.). Wiley-Blackwell Publishing Ltd., Vol. 2. p. 733-735 3 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Randgänge der Aufzeichnung: Morgan O’Haras Live Transmissions zwischen Kunst und Wissenschaft
Leeb, S. A., 2010, Notationen und choreographisches Denken. Brandstetter, G., Hofmann, F. & Maar, K. (eds.). 1 ed. Rombach Verlag, p. 155-182 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
’... the world was becomming numerical.’: Informationsgrafik und Kunst in Dierk Schmidts ‚Die Teilung der Erde’
Leeb, S. A., 2010, Dierk Schmidt. The Division of the Earth: Tableaux on the Legal Synopses of the Berlin Africa Conference. 1 ed. Köln: Verlag der Buchhandlung Walther König, p. 112-121 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Trennungen, in denen wir denken und existieren
Jamme, C., 2010, Selbstbewusstsein und Gottesgedanke: Ein Wiener Symposion mit Dieter Henrich über Philosophische Theologie. Langthaler, R. & Hofer, M. (eds.). Wien: Braumüller Verlag, p. 163-173 11 p. (Wiener Jahrbuch für Philosophie; vol. 2008, no. 40).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Vom Schwächling zum Anti-Helden: zur Abwesenheit des Heldenkonzepts in der Moderne am Beispiel von W. Shakespeare und S. Beckett
Jamme, C., 2010, Die Helden-Maschine: Zur Aktualität und Tradition von Heldenbildern. Beiträge zur Tagung im LWL-Industriemuseum Dortmund, 24.9. - 26.9.2008. Schinkel, E. (ed.). Essen: Klartext Verlag, p. 172-178 7 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
"Wahrheit für die Phantasie": der junge Hegel und Herder
Jamme, C., 2010, Zwischen Bild und Begriff. Gaier, U. & Simon, R. (eds.). Paderborn: Wilhelm Fink Verlag, p. 237-250 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research