Institute of Fine Arts, Music and Education
Organisational unit: Institute
Organisation profile
The Institute of Fine Arts, Music and Education combines artistic, pedagogical and research-based expertise within the disciplines fine arts and music, with a particular emphasis on contemporary forms and practice. Lecturers offer modules for students enrolled in the Bachelor and Masters programmes within the faculties of Education and Humanities, in addition to the minor programme Popular Music Studies and the Early Childhood Music Further Education programme. Public exhibitions, concerts and other cultural events are of great importance within in the institute. These collaborative projects are innovatively developed and presented with and for our students thereby enriching the cultural life of the university.
- Critical reviews › Research
- Published
Berimbau. Der afro-brasilianische Musikbogen – Geschichte, Klangwelt und Spielweise, Ulla Levens, Drachen-Verlag.
Schormann, C., 2013, In: Praxis des Musikunterrichts. 68, 115, p. 53 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
Bernward Halbscheffel: Progressive Rock. Die Ernste Musik der Popmusik.
Ahlers, M., 2014, In: Die Musikforschung. 67, 1, p. 92-93 2 p.Research output: Journal contributions › Critical reviews › Research
- Published
Buena Vista, die Musik Kubas: Buena Vista - die Musik Kubas / Maya Roy
Schormann, C., 2001, In: Praxis des Musikunterrichts. 64, p. 50 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
"Formate der Kunstvermittlung" an der Universität Lüneburg
Rippel, N., 2007, In: BDK-Mitteilungen. 43, 2, p. 36-37 2 p.Research output: Journal contributions › Critical reviews › Research
- Published
'From the tobacco road of Cuba' - Alula Records ALU 1011
Schormann, C., 01.2005, In: Ethnomusicology. 49, 1, p. 169-171 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
From the Tobacco Road of Cuba, produced by Global Music Centre and CIDMUC, 1998 : Septeto Santiaguero: La Pulidora, produced by Alberto Gambino; Manuel Domingez : Rhythms and songs for the orishas, Havana, Cuba, ca. 1957, Washhington, DC, Smithsonian Folkways Recordings, comp. by Morton Marks : Afro-Cuban sacred music from the countryside, Matanzas, Cuba, ca. 1957,comp. by Morton Marks, Washington, DC, Smithsonian Folkways Recordings
Schormann, C., 2005, In: Ethnomusicology. 49, 1, p. 169-171 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Handbuch Musikpädagogik: Grundlagen - Forschung - Diskurse
Schormann, C., 2019, In: Praxis des Musikunterrichts. 138, p. 60 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
Havana, Cuba, ca. 1957: Rhythms and songs for the Orishas - Smithsonian Folkways Recordings SFW 40489
Schormann, C., 01.2005, In: Ethnomusicology. 49, 1, p. 169-171 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
(Hey, hey) We're going wild and wicked
Stahl, F., 2022, In: BDK-Mitteilungen. 58, 4, p. 49 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
"Hoffen auf die Kraft des kindlichen Geistes": Rezension von Klaus Mollenhauer: Vergessene Zusammenhänge. Über Kultur udn Erzeihung. München (Juventa), 1983.
Lenz-Johanns, M., 10.1984, In: Kunst + Unterricht. 87, p. 57 1 p.Research output: Journal contributions › Critical reviews › Research