Institute of Fine Arts, Music and Education
Organisational unit: Institute
Organisation profile
The Institute of Fine Arts, Music and Education combines artistic, pedagogical and research-based expertise within the disciplines fine arts and music, with a particular emphasis on contemporary forms and practice. Lecturers offer modules for students enrolled in the Bachelor and Masters programmes within the faculties of Education and Humanities, in addition to the minor programme Popular Music Studies and the Early Childhood Music Further Education programme. Public exhibitions, concerts and other cultural events are of great importance within in the institute. These collaborative projects are innovatively developed and presented with and for our students thereby enriching the cultural life of the university.
Main research areas
Research activities
Junior professorship for Contemporary Art History, Aesthetic Practices
Professorship for Arts Mediation
Professorship for Music Education, in Particular Popular Music
Prof. Dr. Michael Ahlers
Professorship of Musicology, in particular Popular Music Studies
Prof. Dr. Monika Schoop
- Published
Bilder vom Gehirn: bildwissenschaftliche Zugänge zum Gehirn als Seelenorgan
Larink, W., 2011, Berlin: Walter de Gruyter GmbH. 521 p.Research output: Books and anthologies › Monographs › Research
- Published
Big Data und Musik: Jahrbuch für Musikwirtschafts- und Musikkulturforschung 1/2018
Ahlers, M. (Editor), Grünewald-Schukalla, L. (Editor), Lücke, M. (Editor) & Rauch, M. (Editor), 2019, Wiesbaden: Springer VS. 233 p. (Jahrbuch für Musikwirtschafts- und Musikkulturforschung; vol. 1)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Bewegungsabläufe nervöser Kunstbegriffe
Maset, P., 2002, Dürfen die das? Kunst als sozialer Raum: Art, Education, Cultural Work, Communities. Rollig, S. & Sturm, E. (eds.). 1. ed. Wien: Verlag Turia + Kant, p. 85-96 12 p. (Museum zum Quadrat; vol. 13).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Bernward Halbscheffel: Progressive Rock. Die Ernste Musik der Popmusik.
Ahlers, M., 2014, In: Die Musikforschung. 67, 1, p. 92-93 2 p.Research output: Journal contributions › Critical reviews › Research
- Published
Berimbau. Der afro-brasilianische Musikbogen – Geschichte, Klangwelt und Spielweise, Ulla Levens, Drachen-Verlag.
Schormann, C., 2013, In: Praxis des Musikunterrichts. 68, 115, p. 53 1 p.Research output: Journal contributions › Critical reviews › Research
- Published
Bella ciao: ein traditionelles politisches Lied in den Charts
Zuther, D., 20.08.2018, In: Praxis des Musikunterrichts. 135, p. 4-13 10 p.Research output: Journal contributions › Journal articles › Transfer
- Published
Befremden in der Kunstvermittlung
Mocak, M., 2009, Die Landung: Projekte der Kunstvermittlung. Maset, P. (ed.). Norderstedt: Books on Demand GmbH, p. 35-46 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Bastian Lange, Hans-Joachim Bürkner & Elke Schüßler: Akustisches Kapital. Wertschöpfung in der Musikwirtschaft
Ahlers, M., 01.01.2019, Musik und Stadt: Jahrbuch für Musikwirtschafts- und Musikkulturforschung 2/2018. Grünewald-Schukalla, L., Lücke, M., Rauch, M. & Winter, C. (eds.). Wiesbaden: Springer VS, p. 233-235 3 p. (Jahrbuch für Musikwirtschafts- und Musikkulturforschung; vol. 2/2018).Research output: Contributions to collected editions/works › Critical Reviews › Research
- Published
Back in the new 1970s? How a song counters historical revisionism and authoritarian nostalgia for the Philippine dictatorship
Schoop, M., 05.03.2025, In: Popular Music History. 16, 1-2, p. 160-183 24 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Aussichten an der Peripherie: über Kunstvermittlung im Allgemeinen und Kunstcoop im Besonderen
Maset, P., 2002, Kunstcoop: Künstlerinnen machen Kunstvermittlung. Anlässlich der Aktivitäten von Kunstcoop von 2001 bis 2002.. Bilankov, A. (ed.). Berlin: Neue Gesellschaft für Bildende Kunst e.V., p. 142-153 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research