Institute of Sociology and Cultural Organization
Organisational unit: Institute
Organisation profile
The Institute of Sociology and Cultural Organisation (ISCO) is part of the Faculty of Cultural Studies. The research at ISCO is focused on topics of sociology and on issues of cultural organisation(s) in society. Mostly in the degree programs of the Faculty of Cultural Studies we teach general sociological and cultural theoretical courses and interdisciplinary courses of organisational theory with respect to arts and culture. At the following Websites you will find more detailed information about our areas of research and teaching in sociology and cultural organisation.
Main research areas
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Künstlerkritik, Kunstsoziologie und kritische Gesellschaft
Wuggenig, U., 2005, Beyond education: Kunst, Ausbildung, Arbeit und Ökonomie. Bismarck, B. & Bernhardt, S. (eds.). Frankfurt am Main: Revolver, Archiv für aktuelle Kunst, p. 101-109 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Kunst und Feldforschung: Projektorientierung und Praxisbezug in den neuen Kulturwissenschaften
Wuggenig, U., 2002, Praxisrelevanz der Methodenausbildung. Engel, U. (ed.). Bonn: GESIS – Leibniz-Institut für Sozialwissenschaften, p. 199-213 15 p. (Sozialwissenschaftliche Tagungsberichte; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Une sage-femme écopoiétique
Kagan, S., 2008, Lakolak, Karl: Erographies d'incorporelles: Parution aux éditions Everland. Alfortville: Editions Everland, p. 67-72 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Die Kunst auf dem Weg in die blaue Ökonomie
Wuggenig, U., 2003, Die Ich-Ressource: Zur Kultur der Selbst-Verwertung. Verwoert, J. (ed.). München: Volk Verlag, p. 137-168 32 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Moirés, Andreas Fogarasi, Katya Sander, Urtica
Wege, A. (Editor) & Wuggenig, U. (Editor), 2008, 1. ed. Lüneburg: Verlag für Wissenschaft und zeitgenössische Kunst . 160 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Soziale und kulturelle Differenz: die soziale Segmentierung des Publikums der Kunst
Wuggenig, U., 2001, Stadt.Kunst. Schütz, H. (ed.). Regensburg: Lindinger + Schmid, p. 33-59 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Zur individuellen Konstruktion medialer Museumserlebnisse: die Abhängigkeit der Vermittlung von eigenen Erfahrungen mit neuen Medien
Kirchberg, V., 2006, Lernen im Museum: Die Rolle von Medien für die Resituierung von Exponaten. Schwan, S. (ed.). Berlin: Institut für Museumsforschung Berlin, p. 37-46 10 p. (Mitteilungen und Berichte; vol. 38).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ökonomien des Elends: Pierre Bourdieu in Algerien
Behnke, C. & Wuggenig, U., 2005, Un photographe de circonstance: Pierre Bourdieu en Algérie . Ducret, A. (ed.). Genève: Universite Genf, p. 127-133 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Systems thinking games
Kagan, S., 2008, Report on Connect2Culture & the Asia-Europe dialogue on arts, culture and climate change. Singapore: Asia Europe Foundation, p. 30-32 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Bankruptcy in Germany: filling rates and the people behind the numbers
Backert, W., Brock, D., Lechner, G. & Maischatz, K., 2009, Consumer credit, debt and bankruptcy. Niemi, J., Ramsay, I. & Whitford, W. C. (eds.). Oxford: Hart Publishing, p. 273-288 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research