http://www.leuphana.de/en/dfg-programme/kdk.html

Organisational unit: Projectteam

Organisation profile

The cultural sciences research training group “Cultures of Criticism” undertakes a productive revision of the preconditions, roles and validity claims of critique. On the one hand, new technologies and distribution channels have given rise to a welter of unexpected critical and quasi-critical practices. On the other hand, the very theoretical foundations of critique have come under massive pressure – and so, it seems, has the modern project of critique as a whole. What may be regarded as an act of critique and which agents, expectations and criteria take part, is currently subject to basal negotiation.

The research training group conceives critique as a praxis that is always already culturally situated, while its efficacy rides on comprehensive claims to validity and authority. The phenomena under critique are inseparably interwoven with the forms and media used to represent them. Representation thus appears as the focal point in which widely divergent forms of critique and their heterogeneous cultures lend themselves to comparative discussion. Building on studies of diverse concrete critical practices, the Research Training Group seeks to remap the interaction between critique and culture in the history of modernity up to the present and employ the tools of cultural studies to frame a well founded and timely conception of critique.

Spokesperson: Prof. Dr. Beate Söntgen

Deputy spokesperson: Prof. Dr. Erich Hörl

  1. Article in conference proceedings › Research › Peer-reviewed
  2. Published

    RE/viewing Jerusalem: Political Art Interventions in Occupied East Jerusalem

    Friedman, E. R. & Rayyan, A., 07.2018, Urban Art: Creating the Urban with Art: Proceedings of the International Conference at Humboldt-Universität zu Berlin, 15-16 July, 2016. Blanché, U. & Hoppe, I. (eds.). Lisbon: Pedro Soares Neves, p. 92-100 9 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  3. Article in conference proceedings › Transfer › Peer-reviewed
  4. Published

    Dauermoralisierung? Zur Kritik der impliziten Kritik

    Schneider, T., 2020, Dispositiv-Erkundungen / Exploring Dispositifs. Kleine-Benne, B. (ed.). Berlin: Logos Verlag, p. 291-300 10 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsTransferpeer-review

  5. Contributions to collected editions/anthologies › Research › Not peer-reviewed
  6. Published

    Decorating Charleston Farm house: Bloomsbury's Experiments in Forms of Life, Work, and Art

    Söntgen, B., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 139-176 36 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Die Verweigerung der Arbeit: philosophische Implikationen einer politisch-ästetischen Praktik

    Nigro, R., 2019, 10 Minuten Philosophie. Jamme, C. & Drechsler, K. (eds.). Wilhelm Fink Verlag, p. 109-111 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Erinnern Vergessen.

    Pinkrah, N. Y. & Warnsholdt, C. L., 03.01.2017, Tagungsband der studentischen Konferenz für interdisziplinäre Forschung ZUfo: Pfadabhängigkeit 2013, Speicher 2014. Jandeisek, I. & Mallwitz, M. (eds.). Norderstedt: Books on Demand GmbH, p. 409-425 17 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Feedback Systems: Artwriting as Critique?

    Mehl, I., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 175-184 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)

    Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter GmbH, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  11. Published

    Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen

    Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  12. Published

    How to Do Materialistic Dialectics with Words? Adorno and the Resistance of Presentation

    Stubenrauch, H., 28.07.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 37 - 52 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  13. Published

    Is Code Law? Kritik in Zeiten algorithmischer Gouvernementalität

    Mattutat, L., Stubenrauch, H. & Warnsholdt, C. L., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 21-42 22 p. (Digital Cultures Series).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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