Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- 2014
- Published
Mediatisierte Online-Kommunikation: Forschungspraktische Verwobenheit von Medientechnologie, Erhebungssituation und kontextsensitivem Auswertungsverfahren
Sander, N. & Schulz, M., 2014, Die qualitative Analyse internetbasierter Daten: Methodische Herausforderungen und Potenziale von Online-Medien. Schirmer, D., Sander, N. & Wenninger, A. (eds.). Wiesbaden: Springer VS, p. 161-198 38 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Medienwandel kompakt 2011 - 2013: Netzveröffentlichungen zu Medienökonomie, Medienpolitik & Journalismus
Kappes, C. (Editor), Jan, K. (Editor) & Novy, L. (Editor), 2014, Wiesbaden: Springer VS. 422 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Motion Capture
Kaldrack, I., 2014, Wörterbuch kinematografischer Objekte. Göttel, D., Horstmann, F., Müller, J. P., Pantenburg, V., Waack, L., Wuzella, R. & Böttcher, M. (eds.). 1 ed. Berlin: August Verlag, p. 98-100 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Mysterium? Mysteria!
Bachmann, G., 2014, In: Zeitschrift für Kulturwissenschaften. 8, 2, p. 123–126 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Neue Medienpolitik für neue Medien
Novy, L., 2014, Medienwandel kompakt 2011 - 2013: Netzveröffentlichungen zu Medienökonomie, Medienpolitik & Journalismus. Kappes, C., Krone, J. & Novy, L. (eds.). Wiesbaden: Springer VS, p. 403-406 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Nostalgia is not what it used to be: Serial Nostalgia and Nostalgic Series
Wentz, D. & Niemeyer, K., 2014, Media and Nostalgia: Yearning for the Past, the Present and the Future. Niemeyer, K. (ed.). London: Palgrave Macmillan, p. 129-138 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Ornament der Mass Customization: Zum Kollektivbewusstsein verstreuter Examinatoren
Simons, S., 2014, Soziale Medien - Neue Massen. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 237-259 23 p. (Medienwissenschaftliche Symposien der DFG).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Performativierung des Raums: Wissens- und technikgeschichtliche Aspekte zeitgenössischer Bühnenräume
Leeker, M., 2014, Bühne: Raumbildender Prozesse im Theater. Eke, N., Haß, U. & Kaldrack, I. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 149-170 22 p. (Automatismen).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Peter Sloterdijk (1947b)
Beyes, T., 2014, The Oxford Handbook of Process Philosophy and Organization Studies. Helin , J., Hernes, T., Hjorth, D. & Holt, R. (eds.). Oxford: Oxford University Press, p. 567-584 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Plants, Androids and Operators: A Post-Media Handbook
Apprich, C. (Editor), Berry Slater, J. (Editor), Iles, A. (Editor) & Schultz, O. L. (Editor), 2014, London: Mute Books. 188 p.Research output: Books and anthologies › Collected editions and anthologies › Research