Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. 2014
  2. Published

    Mediatisierte Online-Kommunikation: Forschungspraktische Verwobenheit von Medientechnologie, Erhebungssituation und kontextsensitivem Auswertungsverfahren

    Sander, N. & Schulz, M., 2014, Die qualitative Analyse internetbasierter Daten: Methodische Herausforderungen und Potenziale von Online-Medien. Schirmer, D., Sander, N. & Wenninger, A. (eds.). Wiesbaden: Springer VS, p. 161-198 38 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Medienwandel kompakt 2011 - 2013: Netzveröffentlichungen zu Medienökonomie, Medienpolitik & Journalismus

    Kappes, C. (Editor), Jan, K. (Editor) & Novy, L. (Editor), 2014, Wiesbaden: Springer VS. 422 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Motion Capture

    Kaldrack, I., 2014, Wörterbuch kinematografischer Objekte. Göttel, D., Horstmann, F., Müller, J. P., Pantenburg, V., Waack, L., Wuzella, R. & Böttcher, M. (eds.). 1 ed. Berlin: August Verlag, p. 98-100 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Mysterium? Mysteria!

    Bachmann, G., 2014, In: Zeitschrift für Kulturwissenschaften. 8, 2, p. 123–126 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Neue Medienpolitik für neue Medien

    Novy, L., 2014, Medienwandel kompakt 2011 - 2013: Netzveröffentlichungen zu Medienökonomie, Medienpolitik & Journalismus. Kappes, C., Krone, J. & Novy, L. (eds.). Wiesbaden: Springer VS, p. 403-406 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  7. Published

    Nostalgia is not what it used to be: Serial Nostalgia and Nostalgic Series

    Wentz, D. & Niemeyer, K., 2014, Media and Nostalgia: Yearning for the Past, the Present and the Future. Niemeyer, K. (ed.). London: Palgrave Macmillan, p. 129-138 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Ornament der Mass Customization: Zum Kollektivbewusstsein verstreuter Examinatoren

    Simons, S., 2014, Soziale Medien - Neue Massen. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 237-259 23 p. (Medienwissenschaftliche Symposien der DFG).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Performativierung des Raums: Wissens- und technikgeschichtliche Aspekte zeitgenössischer Bühnenräume

    Leeker, M., 2014, Bühne: Raumbildender Prozesse im Theater. Eke, N., Haß, U. & Kaldrack, I. (eds.). 1 ed. Paderborn: Wilhelm Fink Verlag, p. 149-170 22 p. (Automatismen).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Peter Sloterdijk (1947b)

    Beyes, T., 2014, The Oxford Handbook of Process Philosophy and Organization Studies. Helin , J., Hernes, T., Hjorth, D. & Holt, R. (eds.). Oxford: Oxford University Press, p. 567-584 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Plants, Androids and Operators: A Post-Media Handbook

    Apprich, C. (Editor), Berry Slater, J. (Editor), Iles, A. (Editor) & Schultz, O. L. (Editor), 2014, London: Mute Books. 188 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch