Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
- Published
Free work
Beverungen, A., Otto, B., Spoelstra, S. & Kenny, K., 24.02.2013, In: Ephemera: Theory & Politics in Organization. 13, 1, p. 1-9 9 p.Research output: Journal contributions › Journal articles › Research
- Published
As You Like It: Critique in the Era of an Affirmative Discourse
Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
- Published
Databases as citadels in the web 2.0
Warnke, M., 2013, Unlike Us Reader: Social Media Monopolies and the Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, p. 76-89 13 p. (INC Reader; no. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Die Ebstorfer Weltkarte: Der Computer als Medium für selbstbestimmtes Lernen
Warnke, M., 1992, In: Computer + Unterricht. 2, 5, p. 27-31 5 p.Research output: Journal contributions › Journal articles › Research
- Published
Das Thema ist die ganze Welt: Hypertext im Museum
Warnke, M., 1990, Hypertext und Hypermedia: von theoretischen Konzepten zur praktischen Anwendung. Gloor, P. & Streitz, N. (eds.). Berlin: Springer, p. 268-277 10 p. (Informatik-Fachberichte; vol. 249).Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
The financialisation of business ethics
Beverungen, A., Dunne, S. & Hoedemaekers , C., 01.01.2013, In: Business Ethics: A European Review. 22, 1, p. 102-117 16 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Accepted/In press
Kulturfreie Bilder: Erfindungen der Voraussetzungslosigkeit
Pias, C. (Editor), 29.05.2013, (Accepted/In press) 1 ed. Berlin: Kulturverlag Kadmos . 215 p. (Copyrights; no. 19)Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
"Ich bin Neda": Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0
Simons, S., 2012, Authentisches Erzählen: Produktion, Narration, Rezeption. Weixler, A. (ed.). Berlin; Boston MA: Walter de Gruyter GmbH, p. 291-319 29 p. (Narratologia; no. 33).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen
Baleva, M. (Editor), Reichle, I. (Editor) & Schultz, O. L. (Editor), 2012, 1. ed. München: Wilhelm Fink Verlag. 332 p.Research output: Books and anthologies › Collected editions and anthologies › Research