Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today.
Main research areas
The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.
Current Research Areas
- Climate Futures
- (B)Orders, Identities and Belonging in the Digital Age
- Cities, Infrastructures, Logistics, Platforms
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Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !
Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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"If you like something, you want it to develop.": Zum Einsatz der Videokamera in den Filmen Lars von Triers
Kirchner, A., 2008, Abschied vom Zelluloid?: Beiträge zur Geschichte und Poetik des Videobildes. Kirchner, A., Prümm, K. & Richling, M. (eds.). Marburg: Schüren Verlag, p. 111-134 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen
Baleva, M. (Editor), Reichle, I. (Editor) & Schultz, O. L. (Editor), 2012, 1. ed. München: Wilhelm Fink Verlag. 332 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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IMAGE MATCH: Neue Indizes einer globalen Bildtheorie
Baleva, M., Reichle, I. & Schultz, O. L., 2012, Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen. Baleva, M., Reichle, I. & Lerone Schultz, O. (eds.). 1. ed. München: Wilhelm Fink Verlag, p. 9-24 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Im Netz der Dinge: Zur Einleitung
Engemann, C. & Sprenger, F., 30.09.2015, Internet der Dinge: Über smarte Objekte, intelligente Umgebungen und die technische Durchdringung der Welt. Engemann, C. & Sprenger, F. (eds.). Bielefeld: transcript Verlag, p. 7-57 51 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Inkorporationskunst: Krise und Kuratoriat
Beyes, T., 2013, What’s Next?: Kunst nach der Krise: Ein Reader. Hedinger, J. M. & Meyer, T. (eds.). Berlin: Kulturverlag Kadmos , p. 63-67 5 p. 014Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Insensible and Inexplicable: On the two Meanings of Occult
Sprenger, F., 2015, In: Communication +1. 4, 1, 24 p., 2.Research output: Journal contributions › Journal articles › Research › peer-review
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Interfaces Ludiques
Fuchs, M., 01.12.2011, Jusqu'ici, tout va bien: Rencontres des arts numériques, électroniques et médiatiques. Bébié Valérian, G. (ed.). Le Vigan, France: Oudeis, p. 18 - 23 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Intermediale Performances: Vom Umgang mit Medienkonvergenz 1966/2001
Leeker, M., 2011, Blickregime und Dispositive audiovisueller Medien. Elia-Borer, N., Sieber, S. & Tholen, G. C. (eds.). Bielefeld: transcript Verlag, p. 87-110 24 p. (MedienAnalysen; no. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Internet der Dinge: Über smarte Objekte, intelligente Umgebungen und die technische Durchdringung der Welt
Engemann, C. (Editor) & Sprenger, F. (Editor), 2015, Bielefeld: transcript Verlag. 400 p.Research output: Books and anthologies › Collected editions and anthologies › Research