Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. 2012
  2. Published

    Die Fernsehserie als Reflexion und Projektion des medialen Wandels

    Wentz, D., Beil, B., Engell, L., Schröter, J. & Schwaab, H., 2012, Mediatisierte Welten. : Beschreibungsansätze und Forschungsfelder. Hepp, A. & Krotz, F. (eds.). Opladen: VS Verlag für Sozialwissenschaften, p. 197-223 27 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Die Macht der Gefühle: Emotionen in Management, Organisation und Kultur

    Metelmann, J. (Editor) & Beyes, T. (Editor), 2012, Berlin: Berlin University Press. 211 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  4. Published

    Entgrenzung des künstlerischen Feldes durch Globalisierung ? Kontroverse Haltungen im Kunstfeld von Zürich

    Wuggenig, U. & Tarnai, C., 2012, Transnationale Vergesellschaftungen: Verhandlungen des 35. Kongresses der Deutschen Gesellschaft für Soziologie in Frankfurt am Main 2010. Söffner, H.-G. (ed.). Springer, Vol. CD-ROM. 16 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  5. Published

    EWMN: Towards a Cooperation of Self-organized Actors in Digital Cultures

    Leeker, M., 2012, Sharon Lockhart / Noa Eshkol. Barron, S. & Salvesen, B. (eds.). Berlin: Sternberg Press, p. 97-102 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  6. Published

    Explicit Art Historical Image Referencing on a Big Scale

    Warnke, M., 2012, In: LIBREAS. Library Ideas. 21, Bilder, Graphen, Visualisierungen, 12 p.

    Research output: Journal contributionsJournal articlesResearch

  7. Published

    Google Books als Medium und Medium

    Sprenger, F., 2012, In: Zeitschrift für Medienwissenschaft. 6, p. 237-240 4 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  8. Published

    "Ich bin Neda": Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0

    Simons, S., 2012, Authentisches Erzählen: Produktion, Narration, Rezeption. Weixler, A. (ed.). Berlin; Boston MA: Walter de Gruyter GmbH, p. 291-319 29 p. (Narratologia; no. 33).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !

    Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  10. Published

    Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen

    Baleva, M. (Editor), Reichle, I. (Editor) & Schultz, O. L. (Editor), 2012, 1. ed. München: Wilhelm Fink Verlag. 332 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  11. Published

    IMAGE MATCH: Neue Indizes einer globalen Bildtheorie

    Baleva, M., Reichle, I. & Schultz, O. L., 2012, Image Match: Visueller Transfer, ›Imagescapes‹ und Intervisualität in globalen Bildkulturen. Baleva, M., Reichle, I. & Lerone Schultz, O. (eds.). 1. ed. München: Wilhelm Fink Verlag, p. 9-24 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

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