Whose home is it anyway? Performing multiple selves while doing organizational ethnography

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Whose home is it anyway? Performing multiple selves while doing organizational ethnography. / Cnossen, Boukje.
in: Journal of Organizational Ethnography, Jahrgang 7, Nr. 2, 28.06.2018, S. 176-185.

Publikation: Beiträge in ZeitschriftenZeitschriftenaufsätzeForschungbegutachtet

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@article{d7e9c2094a6b44f8b1dcbc539cc2fa4d,
title = "Whose home is it anyway?: Performing multiple selves while doing organizational ethnography",
abstract = "Purpose: The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson{\textquoteright}s suggestion that, in at-home ethnography, the ethnographer must work with “the processual nature of the researcher{\textquoteright}s self.” Design/methodology/approach: The author offers a reflection on the several years of ethnographic research the author conducted, of which some parts were done in a living community of which the author was part. Being literally at home, as well as being very familiar in the other research settings the author describes, allows for a critical reflection on what “at-homeness” means. Findings: Using Butler{\textquoteright}s notion of performativity, the author argues that “the processual nature of the researcher{\textquoteright}s self” Alvesson speaks of, can best be understood as multiple selves, of which some emerge during the research process. The author furthermore problematizes Alvesson{\textquoteright}s use of the term “natural access,” by arguing that this kind of access is neither easy, nor devoid of power relations. Originality/value: This paper uses an experience of conducting research in the home, as well as an experience conducting research in a setting where the researcher arguably blent in well, to question what the “at-home” in at-home ethnography means, and how the researcher can deal with it.",
keywords = "At-home ethnography, Creative work, Flexible forms of organizing, Urban space, Sociology",
author = "Boukje Cnossen",
year = "2018",
month = jun,
day = "28",
doi = "10.1108/JOE-12-2017-0068",
language = "English",
volume = "7",
pages = "176--185",
journal = "Journal of Organizational Ethnography",
issn = "2046-6749",
publisher = "Emerald Publishing Limited",
number = "2",

}

RIS

TY - JOUR

T1 - Whose home is it anyway?

T2 - Performing multiple selves while doing organizational ethnography

AU - Cnossen, Boukje

PY - 2018/6/28

Y1 - 2018/6/28

N2 - Purpose: The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson’s suggestion that, in at-home ethnography, the ethnographer must work with “the processual nature of the researcher’s self.” Design/methodology/approach: The author offers a reflection on the several years of ethnographic research the author conducted, of which some parts were done in a living community of which the author was part. Being literally at home, as well as being very familiar in the other research settings the author describes, allows for a critical reflection on what “at-homeness” means. Findings: Using Butler’s notion of performativity, the author argues that “the processual nature of the researcher’s self” Alvesson speaks of, can best be understood as multiple selves, of which some emerge during the research process. The author furthermore problematizes Alvesson’s use of the term “natural access,” by arguing that this kind of access is neither easy, nor devoid of power relations. Originality/value: This paper uses an experience of conducting research in the home, as well as an experience conducting research in a setting where the researcher arguably blent in well, to question what the “at-home” in at-home ethnography means, and how the researcher can deal with it.

AB - Purpose: The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson’s suggestion that, in at-home ethnography, the ethnographer must work with “the processual nature of the researcher’s self.” Design/methodology/approach: The author offers a reflection on the several years of ethnographic research the author conducted, of which some parts were done in a living community of which the author was part. Being literally at home, as well as being very familiar in the other research settings the author describes, allows for a critical reflection on what “at-homeness” means. Findings: Using Butler’s notion of performativity, the author argues that “the processual nature of the researcher’s self” Alvesson speaks of, can best be understood as multiple selves, of which some emerge during the research process. The author furthermore problematizes Alvesson’s use of the term “natural access,” by arguing that this kind of access is neither easy, nor devoid of power relations. Originality/value: This paper uses an experience of conducting research in the home, as well as an experience conducting research in a setting where the researcher arguably blent in well, to question what the “at-home” in at-home ethnography means, and how the researcher can deal with it.

KW - At-home ethnography

KW - Creative work

KW - Flexible forms of organizing

KW - Urban space

KW - Sociology

UR - http://www.scopus.com/inward/record.url?scp=85046830617&partnerID=8YFLogxK

U2 - 10.1108/JOE-12-2017-0068

DO - 10.1108/JOE-12-2017-0068

M3 - Journal articles

AN - SCOPUS:85046830617

VL - 7

SP - 176

EP - 185

JO - Journal of Organizational Ethnography

JF - Journal of Organizational Ethnography

SN - 2046-6749

IS - 2

ER -

DOI