Whose home is it anyway? Performing multiple selves while doing organizational ethnography
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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in: Journal of Organizational Ethnography, Jahrgang 7, Nr. 2, 28.06.2018, S. 176-185.
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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TY - JOUR
T1 - Whose home is it anyway?
T2 - Performing multiple selves while doing organizational ethnography
AU - Cnossen, Boukje
PY - 2018/6/28
Y1 - 2018/6/28
N2 - Purpose: The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson’s suggestion that, in at-home ethnography, the ethnographer must work with “the processual nature of the researcher’s self.” Design/methodology/approach: The author offers a reflection on the several years of ethnographic research the author conducted, of which some parts were done in a living community of which the author was part. Being literally at home, as well as being very familiar in the other research settings the author describes, allows for a critical reflection on what “at-homeness” means. Findings: Using Butler’s notion of performativity, the author argues that “the processual nature of the researcher’s self” Alvesson speaks of, can best be understood as multiple selves, of which some emerge during the research process. The author furthermore problematizes Alvesson’s use of the term “natural access,” by arguing that this kind of access is neither easy, nor devoid of power relations. Originality/value: This paper uses an experience of conducting research in the home, as well as an experience conducting research in a setting where the researcher arguably blent in well, to question what the “at-home” in at-home ethnography means, and how the researcher can deal with it.
AB - Purpose: The purpose of this paper is to nuance the idea of natural access proposed by Mats Alvesson in his description of at-home ethnography, and to offer a performative view of Alvesson’s suggestion that, in at-home ethnography, the ethnographer must work with “the processual nature of the researcher’s self.” Design/methodology/approach: The author offers a reflection on the several years of ethnographic research the author conducted, of which some parts were done in a living community of which the author was part. Being literally at home, as well as being very familiar in the other research settings the author describes, allows for a critical reflection on what “at-homeness” means. Findings: Using Butler’s notion of performativity, the author argues that “the processual nature of the researcher’s self” Alvesson speaks of, can best be understood as multiple selves, of which some emerge during the research process. The author furthermore problematizes Alvesson’s use of the term “natural access,” by arguing that this kind of access is neither easy, nor devoid of power relations. Originality/value: This paper uses an experience of conducting research in the home, as well as an experience conducting research in a setting where the researcher arguably blent in well, to question what the “at-home” in at-home ethnography means, and how the researcher can deal with it.
KW - At-home ethnography
KW - Creative work
KW - Flexible forms of organizing
KW - Urban space
KW - Sociology
UR - http://www.scopus.com/inward/record.url?scp=85046830617&partnerID=8YFLogxK
U2 - 10.1108/JOE-12-2017-0068
DO - 10.1108/JOE-12-2017-0068
M3 - Journal articles
AN - SCOPUS:85046830617
VL - 7
SP - 176
EP - 185
JO - Journal of Organizational Ethnography
JF - Journal of Organizational Ethnography
SN - 2046-6749
IS - 2
ER -