„’weep!’weep!“ – Schornsteinfegerkinder in der britischen Literatur des Langen 19. Jahrhunderts
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Das ganze Leben – Repräsentationen von Arbeit in Texten über Kindheit und Jugend. Hrsg. / Caroline Roeder; Christine Lötscher. Berlin, Heidelberg: J.B. Metzler, 2022. S. 145-160 (Studien zu Kinder- und Jugendliteratur und -medien; Band 12).
Publikation: Beiträge in Sammelwerken › Kapitel › begutachtet
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TY - CHAP
T1 - „’weep!’weep!“ – Schornsteinfegerkinder in der britischen Literatur des Langen 19. Jahrhunderts
AU - O'Sullivan, Emer
N1 - © 2022 Der/die Autor(en), exklusiv lizenziert an Springer-Verlag GmbH, DE, ein Teil von Springer Nature
PY - 2022/1/1
Y1 - 2022/1/1
N2 - "'weep!’weep!“ – Chimney Sweep Children in British Literature of the Long 19th Century: As one of the social ills generated by the Industrial Revolution, child labour took various forms, but from the late 18th century onwards the child chimney sweep in particular became a symbol of inhumane treatment. The almost slave-like conditions in which the children worked made them the object of pity and social reform efforts, and the subject of literary works. This article focusses on British works of the long 19th century: William Blake’s “The Chimney Sweeper” poems published in Songs of Innocence (1789) and Songs of Experience (1794), moving indictments of the systematic cruelty and exploitation of poor children, and The Water-Babies (1863) by Charles Kingsley, a literary fantasy for children that attempts to reconcile the Christian doctrine of redemption with Darwin’s theory of evolution. It is credited with having eased the passage of the Chimney Sweepers Regulation Act of 1864; closer examination shows that the novel is not as socially progressive as it was long taken to be.
AB - "'weep!’weep!“ – Chimney Sweep Children in British Literature of the Long 19th Century: As one of the social ills generated by the Industrial Revolution, child labour took various forms, but from the late 18th century onwards the child chimney sweep in particular became a symbol of inhumane treatment. The almost slave-like conditions in which the children worked made them the object of pity and social reform efforts, and the subject of literary works. This article focusses on British works of the long 19th century: William Blake’s “The Chimney Sweeper” poems published in Songs of Innocence (1789) and Songs of Experience (1794), moving indictments of the systematic cruelty and exploitation of poor children, and The Water-Babies (1863) by Charles Kingsley, a literary fantasy for children that attempts to reconcile the Christian doctrine of redemption with Darwin’s theory of evolution. It is credited with having eased the passage of the Chimney Sweepers Regulation Act of 1864; closer examination shows that the novel is not as socially progressive as it was long taken to be.
KW - Literaturwissenschaft
UR - https://www.mendeley.com/catalogue/cbe75f4b-e903-3180-a798-ef52dd46beff/
U2 - 10.1007/978-3-662-65409-5_10
DO - 10.1007/978-3-662-65409-5_10
M3 - Kapitel
SN - 978-3-662-65408-8
T3 - Studien zu Kinder- und Jugendliteratur und -medien
SP - 145
EP - 160
BT - Das ganze Leben – Repräsentationen von Arbeit in Texten über Kindheit und Jugend
A2 - Roeder, Caroline
A2 - Lötscher, Christine
PB - J.B. Metzler
CY - Berlin, Heidelberg
ER -