The History of Music Production: By Richard James Burgess. Oxford, New York: Oxford University Press, 2014

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The History of Music Production : By Richard James Burgess. Oxford, New York: Oxford University Press, 2014. / Ahlers, Michael.

in: Popular Music, Jahrgang 35, Nr. 3, 01.10.2016, S. 472-473.

Publikation: Beiträge in ZeitschriftenRezensionenForschung

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@article{a0a33ad7b7244ec892bc1c8bbf68394e,
title = "The History of Music Production: By Richard James Burgess. Oxford, New York: Oxford University Press, 2014",
abstract = "Burgess has already published his successful book The Art of Music Production, which includes a sort of how-to approach to music production, but which is clearly not aimed at popular music scholars. Now he adds The History, which focuses on technical developmetns, societal framings and a selection of key figures in either technical inventions or music production itself. Having this focus, the book competes with other seminal publications such as the ones by Mark Cunningham (1998), Mark Katz (2004), Evan Eisenberg (2005) and Virgil Moorefield (2005). However, this book also needs to be compared with basic articles on recording, recording studios or processes in encyclopaedias such as the Continuum Encyclopaedia of Popular Music of the World and The New Grove Dictionary. Surprisingly none of the titles mentioned can be found in Burgess's bibliography or notes.",
keywords = "Music education, Music Production, History of Music Production, popular music",
author = "Michael Ahlers",
year = "2016",
month = oct,
day = "1",
doi = "10.1017/S0261143016000489",
language = "English",
volume = "35",
pages = "472--473",
journal = "Popular Music",
issn = "0261-1430",
publisher = "Cambridge University Press",
number = "3",

}

RIS

TY - JOUR

T1 - The History of Music Production

T2 - By Richard James Burgess. Oxford, New York: Oxford University Press, 2014

AU - Ahlers, Michael

PY - 2016/10/1

Y1 - 2016/10/1

N2 - Burgess has already published his successful book The Art of Music Production, which includes a sort of how-to approach to music production, but which is clearly not aimed at popular music scholars. Now he adds The History, which focuses on technical developmetns, societal framings and a selection of key figures in either technical inventions or music production itself. Having this focus, the book competes with other seminal publications such as the ones by Mark Cunningham (1998), Mark Katz (2004), Evan Eisenberg (2005) and Virgil Moorefield (2005). However, this book also needs to be compared with basic articles on recording, recording studios or processes in encyclopaedias such as the Continuum Encyclopaedia of Popular Music of the World and The New Grove Dictionary. Surprisingly none of the titles mentioned can be found in Burgess's bibliography or notes.

AB - Burgess has already published his successful book The Art of Music Production, which includes a sort of how-to approach to music production, but which is clearly not aimed at popular music scholars. Now he adds The History, which focuses on technical developmetns, societal framings and a selection of key figures in either technical inventions or music production itself. Having this focus, the book competes with other seminal publications such as the ones by Mark Cunningham (1998), Mark Katz (2004), Evan Eisenberg (2005) and Virgil Moorefield (2005). However, this book also needs to be compared with basic articles on recording, recording studios or processes in encyclopaedias such as the Continuum Encyclopaedia of Popular Music of the World and The New Grove Dictionary. Surprisingly none of the titles mentioned can be found in Burgess's bibliography or notes.

KW - Music education

KW - Music Production

KW - History of Music Production

KW - popular music

U2 - 10.1017/S0261143016000489

DO - 10.1017/S0261143016000489

M3 - Critical reviews

VL - 35

SP - 472

EP - 473

JO - Popular Music

JF - Popular Music

SN - 0261-1430

IS - 3

ER -

DOI