Poetic water images in architecture

Publikation: Beiträge in SammelwerkenAufsätze in KonferenzbändenForschungbegutachtet

Standard

Poetic water images in architecture. / Kirschner, Ursula.
Eco-architecture: Harmonisation between Architecture and Nature. Hrsg. / Geoffrey Broadbent ; C. A. Brebbia. WIT Press, 2006. S. 143-152 (WIT Transactions on the Built Environment; Band 86).

Publikation: Beiträge in SammelwerkenAufsätze in KonferenzbändenForschungbegutachtet

Harvard

Kirschner, U 2006, Poetic water images in architecture. in G Broadbent & CA Brebbia (Hrsg.), Eco-architecture: Harmonisation between Architecture and Nature. WIT Transactions on the Built Environment, Bd. 86, WIT Press, S. 143-152, International Conference on Harmonisation Between Architecture and Nature - Eco Architecture 2006, Ashurst, Großbritannien / Vereinigtes Königreich, 14.06.06. https://doi.org/10.2495/ARC060151

APA

Kirschner, U. (2006). Poetic water images in architecture. In G. Broadbent , & C. A. Brebbia (Hrsg.), Eco-architecture: Harmonisation between Architecture and Nature (S. 143-152). (WIT Transactions on the Built Environment; Band 86). WIT Press. https://doi.org/10.2495/ARC060151

Vancouver

Kirschner U. Poetic water images in architecture. in Broadbent G, Brebbia CA, Hrsg., Eco-architecture: Harmonisation between Architecture and Nature. WIT Press. 2006. S. 143-152. (WIT Transactions on the Built Environment). doi: 10.2495/ARC060151

Bibtex

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title = "Poetic water images in architecture",
abstract = "This essay identifies and examines uses of water imagery in architecture worldwide and through centuries. Architects have introduced imagery in their architectural design since antiquity. This analysis illuminates how the intensive interaction with nature, in this case with water, corresponds to an ever lasting spirit. As Thales of Milet declared: {"}Water is the source of all things{"} [1]. This element plays a unique role in the interaction of natural forces. During the Renaissance and particularly during the Baroque age resistance to social alienation was expressed in an abundance of ornamentation; the water foliage and wave formations on the colonnaded capital are analogous to the multitude of water images at times used extensively in lyricism. The water with its varying states of aggregation and mobility inspired many architects to spectacular designs.",
keywords = "Cultural Distribution/Cultural Organization, Analogies in architecture, Design method, Nature and architecture",
author = "Ursula Kirschner",
year = "2006",
doi = "10.2495/ARC060151",
language = "English",
isbn = "184564171X",
series = "WIT Transactions on the Built Environment",
publisher = "WIT Press",
pages = "143--152",
editor = "{Broadbent }, Geoffrey and Brebbia, {C. A.}",
booktitle = "Eco-architecture",
address = "United Kingdom",
note = "International Conference on Harmonisation Between Architecture and Nature - Eco Architecture 2006, Eco Architecture ; Conference date: 14-06-2006 Through 16-06-2006",

}

RIS

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AU - Kirschner, Ursula

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N2 - This essay identifies and examines uses of water imagery in architecture worldwide and through centuries. Architects have introduced imagery in their architectural design since antiquity. This analysis illuminates how the intensive interaction with nature, in this case with water, corresponds to an ever lasting spirit. As Thales of Milet declared: "Water is the source of all things" [1]. This element plays a unique role in the interaction of natural forces. During the Renaissance and particularly during the Baroque age resistance to social alienation was expressed in an abundance of ornamentation; the water foliage and wave formations on the colonnaded capital are analogous to the multitude of water images at times used extensively in lyricism. The water with its varying states of aggregation and mobility inspired many architects to spectacular designs.

AB - This essay identifies and examines uses of water imagery in architecture worldwide and through centuries. Architects have introduced imagery in their architectural design since antiquity. This analysis illuminates how the intensive interaction with nature, in this case with water, corresponds to an ever lasting spirit. As Thales of Milet declared: "Water is the source of all things" [1]. This element plays a unique role in the interaction of natural forces. During the Renaissance and particularly during the Baroque age resistance to social alienation was expressed in an abundance of ornamentation; the water foliage and wave formations on the colonnaded capital are analogous to the multitude of water images at times used extensively in lyricism. The water with its varying states of aggregation and mobility inspired many architects to spectacular designs.

KW - Cultural Distribution/Cultural Organization

KW - Analogies in architecture

KW - Design method

KW - Nature and architecture

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DO - 10.2495/ARC060151

M3 - Article in conference proceedings

SN - 184564171X

SN - 9781845641719

T3 - WIT Transactions on the Built Environment

SP - 143

EP - 152

BT - Eco-architecture

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A2 - Brebbia, C. A.

PB - WIT Press

T2 - International Conference on Harmonisation Between Architecture and Nature - Eco Architecture 2006

Y2 - 14 June 2006 through 16 June 2006

ER -

DOI