»Groove is the essence of my music«. Wayne Krantz’ guitar playing from a practice-based perspective
Publikation: Beiträge in Sammelwerken › Kapitel › begutachtet
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Jazzforschung heute. : Themen, Methoden, Perspektiven. Hrsg. / Martin Pfleiderer; Wolf-Georg Zaddach. Berlin: Verlag Edition EMVAS, 2019. S. 133-146 (Sounding heritage; Band 4).
Publikation: Beiträge in Sammelwerken › Kapitel › begutachtet
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TY - CHAP
T1 - »Groove is the essence of my music«.
T2 - Wayne Krantz’ guitar playing from a practice-based perspective
AU - Zaddach, Wolf-Georg
PY - 2019/5/10
Y1 - 2019/5/10
N2 - Wayne Krantz, an US-American fusion jazz guitar player, developed a very person-al style. Besides conscious reflection on his career and development, he came up with individual exercises. In the article, the stylistic development and the processes behind will be investigated and reflected from a practice-based artistic perspective. By doing so, the approach of practice-based and artistic research is realized with an autoethnographic approach, which appears to be a fruitful method, and presented with two individual but intervowen streams of narration.
AB - Wayne Krantz, an US-American fusion jazz guitar player, developed a very person-al style. Besides conscious reflection on his career and development, he came up with individual exercises. In the article, the stylistic development and the processes behind will be investigated and reflected from a practice-based artistic perspective. By doing so, the approach of practice-based and artistic research is realized with an autoethnographic approach, which appears to be a fruitful method, and presented with two individual but intervowen streams of narration.
KW - Music education
U2 - 10.25643/bauhaus-universitaet.3868
DO - 10.25643/bauhaus-universitaet.3868
M3 - Chapter
SN - 978-3-9817865-3-8
T3 - Sounding heritage
SP - 133
EP - 146
BT - Jazzforschung heute.
A2 - Pfleiderer, Martin
A2 - Zaddach, Wolf-Georg
PB - Verlag Edition EMVAS
CY - Berlin
ER -