Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts. / Cnossen, Boukje.
The Routledge Handbook of the Communicative Constitution of Organization. ed. / Joelle Basque; Nicolas Bencherki; Timothy Kuhn. New York: Routledge Taylor & Francis Group, 2022. p. 453-465 (Routledge studies in communication, organization, and organizing).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Cnossen, B 2022, Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts. in J Basque, N Bencherki & T Kuhn (eds), The Routledge Handbook of the Communicative Constitution of Organization. Routledge studies in communication, organization, and organizing, Routledge Taylor & Francis Group, New York, pp. 453-465. https://doi.org/10.4324/9781003224914-34

APA

Cnossen, B. (2022). Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts. In J. Basque, N. Bencherki, & T. Kuhn (Eds.), The Routledge Handbook of the Communicative Constitution of Organization (pp. 453-465). (Routledge studies in communication, organization, and organizing). Routledge Taylor & Francis Group. https://doi.org/10.4324/9781003224914-34

Vancouver

Cnossen B. Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts. In Basque J, Bencherki N, Kuhn T, editors, The Routledge Handbook of the Communicative Constitution of Organization. New York: Routledge Taylor & Francis Group. 2022. p. 453-465. (Routledge studies in communication, organization, and organizing). doi: 10.4324/9781003224914-34

Bibtex

@inbook{b0e4b2a7d4bb4548b80c97bebd8a47a8,
title = "Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts",
abstract = "Organizational research on the arts is characterized by the lack of attention to organizations in this setting. The reasons for this are both empirical and theoretical and lead to an ignorance of how social collectives in the arts come into being, and how they come to act. In this chapter, I first give an overview of different streams of research on organizing and organizations in the arts, and show how a theorizing of both the art organization and the impact of the artwork on it is missing. I argue that CCO research is uniquely equipped to build on this relational view in order to address this “blind spot”, since it takes seriously the performative effects of language, gestures, and artefacts, which are often components of contemporary art practice.",
keywords = "Entrepreneurship",
author = "Boukje Cnossen",
note = "Publisher Copyright: {\textcopyright} 2022 Taylor & Francis.",
year = "2022",
month = apr,
day = "7",
doi = "10.4324/9781003224914-34",
language = "English",
isbn = "978-0-367-48070-7",
series = "Routledge studies in communication, organization, and organizing",
publisher = "Routledge Taylor & Francis Group",
pages = "453--465",
editor = "Joelle Basque and Nicolas Bencherki and Timothy Kuhn",
booktitle = "The Routledge Handbook of the Communicative Constitution of Organization",
address = "United Kingdom",

}

RIS

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T1 - Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts

AU - Cnossen, Boukje

N1 - Publisher Copyright: © 2022 Taylor & Francis.

PY - 2022/4/7

Y1 - 2022/4/7

N2 - Organizational research on the arts is characterized by the lack of attention to organizations in this setting. The reasons for this are both empirical and theoretical and lead to an ignorance of how social collectives in the arts come into being, and how they come to act. In this chapter, I first give an overview of different streams of research on organizing and organizations in the arts, and show how a theorizing of both the art organization and the impact of the artwork on it is missing. I argue that CCO research is uniquely equipped to build on this relational view in order to address this “blind spot”, since it takes seriously the performative effects of language, gestures, and artefacts, which are often components of contemporary art practice.

AB - Organizational research on the arts is characterized by the lack of attention to organizations in this setting. The reasons for this are both empirical and theoretical and lead to an ignorance of how social collectives in the arts come into being, and how they come to act. In this chapter, I first give an overview of different streams of research on organizing and organizations in the arts, and show how a theorizing of both the art organization and the impact of the artwork on it is missing. I argue that CCO research is uniquely equipped to build on this relational view in order to address this “blind spot”, since it takes seriously the performative effects of language, gestures, and artefacts, which are often components of contemporary art practice.

KW - Entrepreneurship

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M3 - Contributions to collected editions/anthologies

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SN - 978-0-367-48072-1

T3 - Routledge studies in communication, organization, and organizing

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EP - 465

BT - The Routledge Handbook of the Communicative Constitution of Organization

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A2 - Bencherki, Nicolas

A2 - Kuhn, Timothy

PB - Routledge Taylor & Francis Group

CY - New York

ER -

DOI