Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts. / Cnossen, Boukje.
The Routledge Handbook of the Communicative Constitution of Organization. ed. / Joelle Basque; Nicolas Bencherki; Timothy Kuhn. New York : Routledge Taylor & Francis Group, 2022. p. 453-465 (Routledge studies in communication, organization, and organizing).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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TY - CHAP
T1 - Where Are the Organizations? Accounting for the Fluidity and Ambiguity of Organizing in the Arts
AU - Cnossen, Boukje
N1 - Publisher Copyright: © 2022 Taylor & Francis.
PY - 2022/4/7
Y1 - 2022/4/7
N2 - Organizational research on the arts is characterized by the lack of attention to organizations in this setting. The reasons for this are both empirical and theoretical and lead to an ignorance of how social collectives in the arts come into being, and how they come to act. In this chapter, I first give an overview of different streams of research on organizing and organizations in the arts, and show how a theorizing of both the art organization and the impact of the artwork on it is missing. I argue that CCO research is uniquely equipped to build on this relational view in order to address this “blind spot”, since it takes seriously the performative effects of language, gestures, and artefacts, which are often components of contemporary art practice.
AB - Organizational research on the arts is characterized by the lack of attention to organizations in this setting. The reasons for this are both empirical and theoretical and lead to an ignorance of how social collectives in the arts come into being, and how they come to act. In this chapter, I first give an overview of different streams of research on organizing and organizations in the arts, and show how a theorizing of both the art organization and the impact of the artwork on it is missing. I argue that CCO research is uniquely equipped to build on this relational view in order to address this “blind spot”, since it takes seriously the performative effects of language, gestures, and artefacts, which are often components of contemporary art practice.
KW - Entrepreneurship
UR - https://www.routledge.com/The-Routledge-Handbook-of-the-Communicative-Constitution-of-Organization/Basque-Bencherki-Kuhn/p/book/9780367480707
UR - http://www.scopus.com/inward/record.url?scp=85140545029&partnerID=8YFLogxK
U2 - 10.4324/9781003224914-34
DO - 10.4324/9781003224914-34
M3 - Contributions to collected editions/anthologies
SN - 978-0-367-48070-7
SN - 978-0-367-48072-1
T3 - Routledge studies in communication, organization, and organizing
SP - 453
EP - 465
BT - The Routledge Handbook of the Communicative Constitution of Organization
A2 - Basque, Joelle
A2 - Bencherki, Nicolas
A2 - Kuhn, Timothy
PB - Routledge Taylor & Francis Group
CY - New York
ER -