The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone. / Tollmann, Vera.
Image Politics of Climate Change: Visualizations, Imaginations, Documentations. ed. / Birgit Schneider; Thomas Nocke. Bielefeld: transcript Verlag, 2014. p. 249-272 (Image; Vol. 55).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Tollmann, V 2014, The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone. in B Schneider & T Nocke (eds), Image Politics of Climate Change: Visualizations, Imaginations, Documentations. Image, vol. 55, transcript Verlag, Bielefeld, pp. 249-272. https://doi.org/10.1515/transcript.9783839426104.249

APA

Tollmann, V. (2014). The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone. In B. Schneider, & T. Nocke (Eds.), Image Politics of Climate Change: Visualizations, Imaginations, Documentations (pp. 249-272). (Image; Vol. 55). transcript Verlag. https://doi.org/10.1515/transcript.9783839426104.249

Vancouver

Tollmann V. The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone. In Schneider B, Nocke T, editors, Image Politics of Climate Change: Visualizations, Imaginations, Documentations. Bielefeld: transcript Verlag. 2014. p. 249-272. (Image). doi: 10.1515/transcript.9783839426104.249

Bibtex

@inbook{717bf2f503ce4dc3abeceebc443341ab,
title = "The Uncanny Polar Bear: Activists Visually Attack an Overly Emotionalized Image Clone",
abstract = "This essay takes as its starting point an observation on popular culture: The polar bear has become an icon of climate change discourse. Against the backdrop of cultural and visual studies, the text examines the bear{\textquoteright}s semiotic shifts, from an “early warning signal” of climate change to the iconoclastic use and disruption of the image by activists, to its use as commercialized “carrier of emotions”—or even “emoticon.” How does context change the polar bear{\textquoteright}s message? Following W.J.T. Mitchell{\textquoteright}s method of “iconology,” which reconsiders the image as a living thing, this essay takes a look at images of polar bears across the media.",
keywords = "Digital media",
author = "Vera Tollmann",
year = "2014",
month = jul,
doi = "10.1515/transcript.9783839426104.249",
language = "English",
isbn = "978-3-8376-2610-0",
series = "Image",
publisher = "transcript Verlag",
pages = "249--272",
editor = "Birgit Schneider and Thomas Nocke",
booktitle = "Image Politics of Climate Change",
address = "Germany",

}

RIS

TY - CHAP

T1 - The Uncanny Polar Bear

T2 - Activists Visually Attack an Overly Emotionalized Image Clone

AU - Tollmann, Vera

PY - 2014/7

Y1 - 2014/7

N2 - This essay takes as its starting point an observation on popular culture: The polar bear has become an icon of climate change discourse. Against the backdrop of cultural and visual studies, the text examines the bear’s semiotic shifts, from an “early warning signal” of climate change to the iconoclastic use and disruption of the image by activists, to its use as commercialized “carrier of emotions”—or even “emoticon.” How does context change the polar bear’s message? Following W.J.T. Mitchell’s method of “iconology,” which reconsiders the image as a living thing, this essay takes a look at images of polar bears across the media.

AB - This essay takes as its starting point an observation on popular culture: The polar bear has become an icon of climate change discourse. Against the backdrop of cultural and visual studies, the text examines the bear’s semiotic shifts, from an “early warning signal” of climate change to the iconoclastic use and disruption of the image by activists, to its use as commercialized “carrier of emotions”—or even “emoticon.” How does context change the polar bear’s message? Following W.J.T. Mitchell’s method of “iconology,” which reconsiders the image as a living thing, this essay takes a look at images of polar bears across the media.

KW - Digital media

UR - http://www.scopus.com/inward/record.url?scp=105004715782&partnerID=8YFLogxK

U2 - 10.1515/transcript.9783839426104.249

DO - 10.1515/transcript.9783839426104.249

M3 - Contributions to collected editions/anthologies

SN - 978-3-8376-2610-0

T3 - Image

SP - 249

EP - 272

BT - Image Politics of Climate Change

A2 - Schneider, Birgit

A2 - Nocke, Thomas

PB - transcript Verlag

CY - Bielefeld

ER -

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