The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

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The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces. / Leeker, Martina; Baumgärtel, Stephan Arnulf; Corrêa , Talita.
In: URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS, Vol. 2, No. 38, 24.09.2020, p. 1-27.

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@article{13484a4ad0374c3c9fc54ac9080b3592,
title = "The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces",
abstract = "Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technol{\'o}gical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.",
keywords = "Critical history of technology and knowledge, Dispositiv, Ibernetic poetics, Art and technology, Digital media, Cultural studies, Media and communication studies",
author = "Martina Leeker and Baumg{\"a}rtel, {Stephan Arnulf} and Talita Corr{\^e}a",
year = "2020",
month = sep,
day = "24",
doi = "10.5965/14145731023820200044",
language = "English",
volume = "2",
pages = "1--27",
journal = "URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS",
issn = "1414-5731",
publisher = "Universidade do Estado de Santa Catarina – UDESC ",
number = "38",

}

RIS

TY - JOUR

T1 - The performatization of space

T2 - Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

AU - Leeker, Martina

AU - Baumgärtel, Stephan Arnulf

AU - Corrêa , Talita

PY - 2020/9/24

Y1 - 2020/9/24

N2 - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

AB - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

KW - Critical history of technology and knowledge

KW - Dispositiv

KW - Ibernetic poetics

KW - Art and technology

KW - Digital media

KW - Cultural studies

KW - Media and communication studies

UR - https://www.mendeley.com/catalogue/084c2ecc-d539-3eea-ae9b-aacebc24f775/

U2 - 10.5965/14145731023820200044

DO - 10.5965/14145731023820200044

M3 - Journal articles

VL - 2

SP - 1

EP - 27

JO - URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS

JF - URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS

SN - 1414-5731

IS - 38

ER -

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