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The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

Research output: Journal contributions › Journal articles › Research › peer-review

Standard

The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces. / Leeker, Martina; Baumgärtel, Stephan Arnulf; Corrêa , Talita.
In: URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS, Vol. 2, No. 38, 24.09.2020, p. 1-27.

Research output: Journal contributions › Journal articles › Research › peer-review

Harvard

Leeker, M, Baumgärtel, SA & Corrêa , T 2020, 'The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces', URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS, vol. 2, no. 38, pp. 1-27. https://doi.org/10.5965/14145731023820200044

APA

Leeker, M., Baumgärtel, S. A., & Corrêa , T. (2020). The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces. URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS, 2(38), 1-27. https://doi.org/10.5965/14145731023820200044

Vancouver

Leeker M, Baumgärtel SA, Corrêa T. The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces. URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS. 2020 Sept 24;2(38):1-27. doi: 10.5965/14145731023820200044

Bibtex

@article{13484a4ad0374c3c9fc54ac9080b3592,
title = "The performatization of space: Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces",
abstract = "Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technol{\'o}gical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.",
keywords = "Critical history of technology and knowledge, Dispositiv, Ibernetic poetics, Art and technology, Digital media, Cultural studies, Media and communication studies",
author = "Martina Leeker and Baumg{\"a}rtel, {Stephan Arnulf} and Talita Corr{\^e}a",
year = "2020",
month = sep,
day = "24",
doi = "10.5965/14145731023820200044",
language = "English",
volume = "2",
pages = "1--27",
journal = "URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS",
issn = "1414-5731",
publisher = "State University of Santa Catarina",
number = "38",

}

RIS

TY - JOUR

T1 - The performatization of space

T2 - Comments on the historicity of knowledge and technology in the construction of contemporary performance spaces

AU - Leeker, Martina

AU - Baumgärtel, Stephan Arnulf

AU - Corrêa , Talita

PY - 2020/9/24

Y1 - 2020/9/24

N2 - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

AB - Through an analysis of projects developed by Edward Gordon Craig, Loie Fuller, David Tudor and Klaus Obermaier, this article discusses the discoursive and technológical pressupositions of an poetics of performatization of space. It problematizes the implications for human agency when performance space is constructed so that the human being is inscribed into its dinamics in such a way that his/her agency is submitted to the discoursive logics of this space by means of an technology designed to know no boundaries anymore.

KW - Critical history of technology and knowledge

KW - Dispositiv

KW - Ibernetic poetics

KW - Art and technology

KW - Digital media

KW - Cultural studies

KW - Media and communication studies

UR - https://www.mendeley.com/catalogue/084c2ecc-d539-3eea-ae9b-aacebc24f775/

U2 - 10.5965/14145731023820200044

DO - 10.5965/14145731023820200044

M3 - Journal articles

VL - 2

SP - 1

EP - 27

JO - URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS

JF - URDIMENTO-REVISTA DE ESTUDOS EM ARTES CENICAS

SN - 1414-5731

IS - 38

ER -

Other publications by the same author(s)

Reglementierte Fragilität und performende Unschärferäume

Leeker, M., 31.12.2022, Doing Research - Wissenschaftspraktiken zwischen Positionierung und Suchanfrage. Hofhues, S. & Schütze, K. (eds.). transcript Verlag, p. 224-237 14 p. (Science Studies).

Research output: Contributions to collected editions/works › Chapter

Ein Medium namens McLuhan: 37 Befragungen eines Klassikers

Bexte, P. & Leeker, M., 2020, Lüneburg: meson press. 141 p.

Research output: Books and anthologies › Collected editions and anthologies › Research

Performativity, performance studies and digital cultures

Leeker, M., Schipper, I. & Beyes, T., 31.12.2016, Performing the Digital: Performativity and Performance Studies in Digital Cultures. v. Leeker, M., Schipper, I. & Beyes, T. (eds.). Bielefeld: transcript Verlag, p. 9-18 10 p.

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

Kritik in digitalen Kulturen: Begegnungen zwischen Entsagung, Revolution und Affirmation

Leeker, M., 2023, Kritik postdigital. Hille, L. & Wentz, D. (eds.). Lüneburg: meson press, p. 83-102 20 p. (Digital Cultures Series).

Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

Non Knowledge and Digital Cultures

Bernard, A. (Editor), Leeker, M. (Editor) & Matthias, K. (Editor), 2018, Lüneburg: meson press. 160 p. (Digital Cultures Series )

Research output: Books and anthologies › Collected editions and anthologies › Research

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