Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering

Research output: Contributions to collected editions/worksOtherTransfer

Standard

Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering. / John, Rebecca.
Sirene – Goldrausch 2020. ed. / Kira Dell; Hannah Kruse. Berlin: Goldrausch Frauennetzwerk Berlin e.V., 2020.

Research output: Contributions to collected editions/worksOtherTransfer

Harvard

John, R 2020, Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering. in K Dell & H Kruse (eds), Sirene – Goldrausch 2020. Goldrausch Frauennetzwerk Berlin e.V., Berlin.

APA

John, R. (2020). Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering. In K. Dell, & H. Kruse (Eds.), Sirene – Goldrausch 2020 Goldrausch Frauennetzwerk Berlin e.V..

Vancouver

John R. Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering. In Dell K, Kruse H, editors, Sirene – Goldrausch 2020. Berlin: Goldrausch Frauennetzwerk Berlin e.V. 2020

Bibtex

@inbook{8e0508c230c44c63b8f4d065ac798a88,
title = "Relating to water, spaces, and other agents. On the journey behind Juliane T{\"u}bke{\textquoteright}s project Weathering",
abstract = "In her previous works fac simile (2017/18), tentare (2018), and nota (2019), Juliane T{\"u}bke explored the technique of epigraphy—the study of written remains, for example antique engravings in marble—when working with imprints of stones . Moving from the materiality of stone to water, Juliane T{\"u}bke's new project, Weathering, seems to ask: how can water take the role of an active co-creator of textual and visual works instead of being a passive referent in a representation process? The multipart project, which combines installations, a poem, and a watercolor series, gives us the sense that the artist does not think of representation from its end product; on the contrary, when she uses the agency of water as inspiration and driving force, the project can be understood as a reflection on questions of representation from within.",
keywords = "Science of art",
author = "Rebecca John",
year = "2020",
month = nov,
day = "1",
language = "English",
isbn = "978-3-941318-77-9",
editor = "Kira Dell and Hannah Kruse",
booktitle = "Sirene – Goldrausch 2020",
publisher = "Goldrausch Frauennetzwerk Berlin e.V.",
address = "Germany",

}

RIS

TY - CHAP

T1 - Relating to water, spaces, and other agents. On the journey behind Juliane Tübke’s project Weathering

AU - John, Rebecca

PY - 2020/11/1

Y1 - 2020/11/1

N2 - In her previous works fac simile (2017/18), tentare (2018), and nota (2019), Juliane Tübke explored the technique of epigraphy—the study of written remains, for example antique engravings in marble—when working with imprints of stones . Moving from the materiality of stone to water, Juliane Tübke's new project, Weathering, seems to ask: how can water take the role of an active co-creator of textual and visual works instead of being a passive referent in a representation process? The multipart project, which combines installations, a poem, and a watercolor series, gives us the sense that the artist does not think of representation from its end product; on the contrary, when she uses the agency of water as inspiration and driving force, the project can be understood as a reflection on questions of representation from within.

AB - In her previous works fac simile (2017/18), tentare (2018), and nota (2019), Juliane Tübke explored the technique of epigraphy—the study of written remains, for example antique engravings in marble—when working with imprints of stones . Moving from the materiality of stone to water, Juliane Tübke's new project, Weathering, seems to ask: how can water take the role of an active co-creator of textual and visual works instead of being a passive referent in a representation process? The multipart project, which combines installations, a poem, and a watercolor series, gives us the sense that the artist does not think of representation from its end product; on the contrary, when she uses the agency of water as inspiration and driving force, the project can be understood as a reflection on questions of representation from within.

KW - Science of art

UR - https://goldrausch.org/de/aktuelle-ausstellung/

UR - http://d-nb.info/1222856166

M3 - Other

SN - 978-3-941318-77-9

BT - Sirene – Goldrausch 2020

A2 - Dell, Kira

A2 - Kruse, Hannah

PB - Goldrausch Frauennetzwerk Berlin e.V.

CY - Berlin

ER -