Periodizing Latin American art since the 1960s

Research output: Contributions to collected editions/worksChapterpeer-review

Standard

Periodizing Latin American art since the 1960s. / Benezra, Karen.
Contemporary Art and Capitalist Modernization: A Transregional Perspective. ed. / Octavian Esanu. New York: Taylor and Francis Inc., 2020. p. 41-56.

Research output: Contributions to collected editions/worksChapterpeer-review

Harvard

Benezra, K 2020, Periodizing Latin American art since the 1960s. in O Esanu (ed.), Contemporary Art and Capitalist Modernization: A Transregional Perspective. Taylor and Francis Inc., New York, pp. 41-56. https://doi.org/10.4324/9781003044345-3

APA

Benezra, K. (2020). Periodizing Latin American art since the 1960s. In O. Esanu (Ed.), Contemporary Art and Capitalist Modernization: A Transregional Perspective (pp. 41-56). Taylor and Francis Inc.. https://doi.org/10.4324/9781003044345-3

Vancouver

Benezra K. Periodizing Latin American art since the 1960s. In Esanu O, editor, Contemporary Art and Capitalist Modernization: A Transregional Perspective. New York: Taylor and Francis Inc. 2020. p. 41-56 doi: 10.4324/9781003044345-3

Bibtex

@inbook{df59f5b701e74661a1a5db973b7b0da9,
title = "Periodizing Latin American art since the 1960s",
abstract = "This chapter examines the treatment of national self-determination or the so-called “national question” in theories and recent exhibitions that attempt to theorize and historicize art since the 1960s. Beginning with a critique of philosopher Peter Osborne{\textquoteright}s historical ontology of postconceptual art, the essay considers how the national question mediates the relationship between art and the social forms that capital assumes in the work of an older generation of Latin American theorists, such as Ticio Escobar and N{\'e}stor Garc{\'i}a Canclini. It concludes with a critical discussion of the periodizing theses of two recent exhibitions, Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985 (2017) and Pop Am{\'e}rica (2018), which make opposing claims on the regional and national determination of contemporary art and capitalism.",
keywords = "Science of art",
author = "Karen Benezra",
year = "2020",
month = jan,
day = "1",
doi = "10.4324/9781003044345-3",
language = "English",
isbn = "9780367490737",
pages = "41--56",
editor = "Octavian Esanu",
booktitle = "Contemporary Art and Capitalist Modernization",
publisher = "Taylor and Francis Inc.",
address = "United States",

}

RIS

TY - CHAP

T1 - Periodizing Latin American art since the 1960s

AU - Benezra, Karen

PY - 2020/1/1

Y1 - 2020/1/1

N2 - This chapter examines the treatment of national self-determination or the so-called “national question” in theories and recent exhibitions that attempt to theorize and historicize art since the 1960s. Beginning with a critique of philosopher Peter Osborne’s historical ontology of postconceptual art, the essay considers how the national question mediates the relationship between art and the social forms that capital assumes in the work of an older generation of Latin American theorists, such as Ticio Escobar and Néstor García Canclini. It concludes with a critical discussion of the periodizing theses of two recent exhibitions, Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985 (2017) and Pop América (2018), which make opposing claims on the regional and national determination of contemporary art and capitalism.

AB - This chapter examines the treatment of national self-determination or the so-called “national question” in theories and recent exhibitions that attempt to theorize and historicize art since the 1960s. Beginning with a critique of philosopher Peter Osborne’s historical ontology of postconceptual art, the essay considers how the national question mediates the relationship between art and the social forms that capital assumes in the work of an older generation of Latin American theorists, such as Ticio Escobar and Néstor García Canclini. It concludes with a critical discussion of the periodizing theses of two recent exhibitions, Memories of Underdevelopment: Art and the Decolonial Turn in Latin America, 1960-1985 (2017) and Pop América (2018), which make opposing claims on the regional and national determination of contemporary art and capitalism.

KW - Science of art

UR - http://www.scopus.com/inward/record.url?scp=85096265524&partnerID=8YFLogxK

U2 - 10.4324/9781003044345-3

DO - 10.4324/9781003044345-3

M3 - Chapter

AN - SCOPUS:85096265524

SN - 9780367490737

SN - 9781000180176

SP - 41

EP - 56

BT - Contemporary Art and Capitalist Modernization

A2 - Esanu, Octavian

PB - Taylor and Francis Inc.

CY - New York

ER -

DOI

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