Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Musikproduktion in Hamburg : Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung . / Kuchar, Robin.

Music City: Musikalische Annäherungen an die kreative Stadt. ed. / Alenka Barber-Kersovan; Kirchberg Volker; Kuchar Robin. Bielefeld : transcript Verlag, 2014. p. 217-244 (Urban Studies).

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Kuchar, R 2014, Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung . in A Barber-Kersovan, K Volker & K Robin (eds), Music City: Musikalische Annäherungen an die kreative Stadt. Urban Studies, transcript Verlag, Bielefeld, pp. 217-244.

APA

Kuchar, R. (2014). Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung . In A. Barber-Kersovan, K. Volker, & K. Robin (Eds.), Music City: Musikalische Annäherungen an die kreative Stadt (pp. 217-244). (Urban Studies). transcript Verlag.

Vancouver

Kuchar R. Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung . In Barber-Kersovan A, Volker K, Robin K, editors, Music City: Musikalische Annäherungen an die kreative Stadt. Bielefeld: transcript Verlag. 2014. p. 217-244. (Urban Studies).

Bibtex

@inbook{7925350427a54507bf5f2d7c3fcc597c,
title = "Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von K{\"u}nstlerexistenz und neoliberaler Stadtentwicklung ",
abstract = "In order to strengthen their status in a global competition of {\textquoteleft}creative{\textquoteright} and {\textquoteleft}music cities{\textquoteright}, urban policy-makers often focus their attention on the public perception outside and prestigious projects inside of cities – via marketing campaigns and sensational new building projects like concert halls and opera houses. In this article, Robin Kuchar takes the case of Hamburg to discuss the relation of music production and current urban development programmes. By comparing conditions and needs of music production with current developments in urban restructuring and valorisation in the city of Hamburg, his analysis highlights a dichotomy between the social processes of cultural production and a neoliberal attitude towards city development that restricts the evolution of music scenes and existing communities of artistic production. ",
keywords = "Kulturvermittlung/Kulturorganisation, Musik, Management",
author = "Robin Kuchar",
year = "2014",
month = mar,
language = "Deutsch",
isbn = "978-3-8376-1965-2",
series = "Urban Studies",
publisher = "transcript Verlag",
pages = "217--244",
editor = "Alenka Barber-Kersovan and Kirchberg Volker and Kuchar Robin",
booktitle = "Music City",
address = "Deutschland",

}

RIS

TY - CHAP

T1 - Musikproduktion in Hamburg

T2 - Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung

AU - Kuchar, Robin

PY - 2014/3

Y1 - 2014/3

N2 - In order to strengthen their status in a global competition of ‘creative’ and ‘music cities’, urban policy-makers often focus their attention on the public perception outside and prestigious projects inside of cities – via marketing campaigns and sensational new building projects like concert halls and opera houses. In this article, Robin Kuchar takes the case of Hamburg to discuss the relation of music production and current urban development programmes. By comparing conditions and needs of music production with current developments in urban restructuring and valorisation in the city of Hamburg, his analysis highlights a dichotomy between the social processes of cultural production and a neoliberal attitude towards city development that restricts the evolution of music scenes and existing communities of artistic production.

AB - In order to strengthen their status in a global competition of ‘creative’ and ‘music cities’, urban policy-makers often focus their attention on the public perception outside and prestigious projects inside of cities – via marketing campaigns and sensational new building projects like concert halls and opera houses. In this article, Robin Kuchar takes the case of Hamburg to discuss the relation of music production and current urban development programmes. By comparing conditions and needs of music production with current developments in urban restructuring and valorisation in the city of Hamburg, his analysis highlights a dichotomy between the social processes of cultural production and a neoliberal attitude towards city development that restricts the evolution of music scenes and existing communities of artistic production.

KW - Kulturvermittlung/Kulturorganisation

KW - Musik

KW - Management

UR - http://d-nb.info/1021744247

M3 - Aufsätze in Sammelwerken

SN - 978-3-8376-1965-2

SN - 3-8376-1965-6

T3 - Urban Studies

SP - 217

EP - 244

BT - Music City

A2 - Barber-Kersovan, Alenka

A2 - Volker, Kirchberg

A2 - Robin, Kuchar

PB - transcript Verlag

CY - Bielefeld

ER -