Musikproduktion in Hamburg: Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Music City: Musikalische Annäherungen an die kreative Stadt. ed. / Alenka Barber-Kersovan; Kirchberg Volker; Kuchar Robin. Bielefeld: transcript Verlag, 2014. p. 217-244 (Urban Studies).
Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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RIS
TY - CHAP
T1 - Musikproduktion in Hamburg
T2 - Musikalische Akteure im Spannungsfeld von Künstlerexistenz und neoliberaler Stadtentwicklung
AU - Kuchar, Robin
PY - 2014/3
Y1 - 2014/3
N2 - In order to strengthen their status in a global competition of ‘creative’ and ‘music cities’, urban policy-makers often focus their attention on the public perception outside and prestigious projects inside of cities – via marketing campaigns and sensational new building projects like concert halls and opera houses. In this article, Robin Kuchar takes the case of Hamburg to discuss the relation of music production and current urban development programmes. By comparing conditions and needs of music production with current developments in urban restructuring and valorisation in the city of Hamburg, his analysis highlights a dichotomy between the social processes of cultural production and a neoliberal attitude towards city development that restricts the evolution of music scenes and existing communities of artistic production.
AB - In order to strengthen their status in a global competition of ‘creative’ and ‘music cities’, urban policy-makers often focus their attention on the public perception outside and prestigious projects inside of cities – via marketing campaigns and sensational new building projects like concert halls and opera houses. In this article, Robin Kuchar takes the case of Hamburg to discuss the relation of music production and current urban development programmes. By comparing conditions and needs of music production with current developments in urban restructuring and valorisation in the city of Hamburg, his analysis highlights a dichotomy between the social processes of cultural production and a neoliberal attitude towards city development that restricts the evolution of music scenes and existing communities of artistic production.
KW - Kulturvermittlung/Kulturorganisation
KW - Musik
KW - Management
UR - http://d-nb.info/1021744247
M3 - Aufsätze in Sammelwerken
SN - 978-3-8376-1965-2
SN - 3-8376-1965-6
T3 - Urban Studies
SP - 217
EP - 244
BT - Music City
A2 - Barber-Kersovan, Alenka
A2 - Volker, Kirchberg
A2 - Robin, Kuchar
PB - transcript Verlag
CY - Bielefeld
ER -