Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg

Research output: Contributions to collected editions/worksPublished abstract in conference proceedingsResearchpeer-review

Standard

Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg. / Kuchar, Robin.
Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. ed. / Paula Guerra; Sacha Kagan. Universidade Porto, 2016. p. 107.

Research output: Contributions to collected editions/worksPublished abstract in conference proceedingsResearchpeer-review

Harvard

Kuchar, R 2016, Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg. in P Guerra & S Kagan (eds), Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. Universidade Porto, pp. 107, Midterm Conference: Sociology of the Arts and Creativity - ESA-Arts 2016, Porto, Portugal, 08.09.16.

APA

Kuchar, R. (2016). Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg. In P. Guerra, & S. Kagan (Eds.), Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts (pp. 107). Universidade Porto.

Vancouver

Kuchar R. Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg. In Guerra P, Kagan S, editors, Arts and Creativity: Working on Identity and Difference: 9th Midterm Conference of the RN Sociology of the Arts, Book of Abstracts. Universidade Porto. 2016. p. 107

Bibtex

@inbook{dda056c98f5741018b6b2b07e050f404,
title = "Music Spaces in Conflict: Local Scenes, Live-Music Industry, and the 'Urban Growth Machine' in Hamburg",
abstract = "The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization. ",
keywords = "Cultural Distribution/Cultural Organization",
author = "Robin Kuchar",
year = "2016",
language = "English",
pages = "107",
editor = "Paula Guerra and Sacha Kagan",
booktitle = "Arts and Creativity: Working on Identity and Difference",
publisher = "Universidade Porto",
address = "Portugal",
note = "Midterm Conference: Sociology of the Arts and Creativity - ESA-Arts 2016 ; Conference date: 08-09-2016 Through 10-09-2016",

}

RIS

TY - CHAP

T1 - Music Spaces in Conflict

T2 - Midterm Conference: Sociology of the Arts and Creativity - ESA-Arts 2016

AU - Kuchar, Robin

N1 - Conference code: 9

PY - 2016

Y1 - 2016

N2 - The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization.

AB - The paper examines how music venues as spaces of collective representations of local scenes are affected by ongoing transformations in the fields of cultural production, urban development/ -regeneration and the Music Industries. Regarding the case of Hamburg, the paper analyses how self-concepts and action of local music spaces like clubs and their users handle neoliberal influence of the city as well as of the industry and in the field of music production and consumption itself. These different kinds of tension deliver questions referring to the defense and preservation of cultural/social values and (subcultural) space, changing local identities and alternative strategies between the poles of DIY-ethics and constraints towards professionalization.

KW - Cultural Distribution/Cultural Organization

M3 - Published abstract in conference proceedings

SP - 107

BT - Arts and Creativity: Working on Identity and Difference

A2 - Guerra, Paula

A2 - Kagan, Sacha

PB - Universidade Porto

Y2 - 8 September 2016 through 10 September 2016

ER -